Short stories; United States -- Social life and customs -- 19th century -- Fiction
The charge could not be substantiated, but the boy's name had been roughly
handled in those wide, loosely defined circles of the range where the force
of private judgment makes up for the weakness of the law, in dealing with
crimes that are difficult of detection and uncertain of punishment. He that
has obliterated his neighbor's brand or misapplied his own, is held as, in
the age of tribal government and ownership, was held the remover of his
neighbor's landmarks. A word goes forth against him potent as the levitical
curse, and all the people say amen.
As society's first public and pointed rejection of him the slight had
rankled with the son of Basset, and grievously it wore on him that
Hetty Rhodes was going, with the man who had been his earliest and most
persistent accuser: Hetty, prettiest of all the bunch-grass belles, who
never reproached nor quarreled, but judged people with her smile and let
them go. He had not complained, though he had her promise,--one of her
promises,--nor asked a hearing in his own defense. The sons of Basset
were many and poor; their stock had dwindled upon the range; her men-folk
condemned him, and Hetty believed, or seemed to believe, as the others.
Had she forgotten the night when two men's horses stood at her father's
fence,--the Basset boy's and that of him who was afterward his accuser; and
the other's horse was unhitched when the evening was but half spent, and
furiously ridden away, while the Basset boy's stood at the rails till close
upon midnight? Had the coincidence escaped her that from this night, of one
man's rage and another's bliss, the ugly charge had dated? Of these things
a girl may not testify.
They met in town on the Saturday before the dance, Hetty buying her
dancing-shoes at the back of the store, where the shoe-cases framed in a
snug little alcove for the exhibition of a “fit.” The boy, in his belled
spurs and “shaps” of goat-hide, was lounging disconsolate and sulky
against one of the front counters; she wore a striped ulster, an enchanted
garment his arm had pressed, and a pink crocheted tam-o'-shanter cocked
bewitchingly over her dark eyes.
Her hair was ruffled, her cheeks were red, with the wind she had faced for
two hours on the spring-seat of her father's “dead axe” wagon. Critical
feminine eyes might have found her a trifle blowzy; the sick-hearted Basset
boy looked once,--he dared not look again.
Public-domain text, read in full here on John Shaqi.
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