In exitu Israel : $b an historical novel, volume 1 (of 2)Baring-Gould, S. (Sabine)
History
In exitu Israel : $b an historical novel, volume 1 (of 2)
Baring-Gould, S. (Sabine)
France -- History -- Revolution, 1789-1799 -- Fiction
Thomas Lindet, in his attic, was putting together a few clothes into
a bundle, to take with him to Évreux, as he was about to start next
morning, after the first mass at six. He occupied two rooms in a
small cottage opposite the church. It was an old house, in plaster
and timber, with a thatched roof, and consisted of a ground-floor
and an upper storey. The ground-floor was occupied by an old woman,
and the priest tenanted the rooms above. His sitting-room, in which
he was making up his bundle, was clean; the walls were laden with
whitewash, as was also the sloping ceiling. The window was covered
with a blue-and-white striped curtain of bedticking; the chairs were
of wood, unpolished, with wooden seats. Over the chimney-piece were
a crucifix and two little prints, one of Jean Jacques Rousseau, the
other of S. Jerome. His small library occupied a few deal shelves on
one side of the fireplace. Besides his breviary, there were few books
in binding, except an old copy of Atto of Vercellæ on the ‘Sufferings
and Persecutions of the Church,’ and a Geoffrey of Vendôme on
‘Investitures.’ But there were many pamphlets and polemical tracts,
such as were circulated at that time in France, and in paper covers,
torn and dirty, were Montesquieu’s ‘Esprit des Lois,’ and Rousseau’s
‘Emile.’
Having completed his preparations, the priest blew out his candle,
drew the curtain, and looked out of his window, pierced through the
thatch. The church of S. Cross was exactly opposite, on the other
side of the small square, and the moon brought its sculpture into
relief. The gothic tower, surmounted by an ugly bulbous cap, cut the
clear grey sky; the delicate tracery of the windows stood out like
white lace against the gloom of the bell-chamber.
The west front had been remodelled in 1724, and, though Lindet,
with the taste of the period, admired it, no one at the present day
would approve of the stiff Italian pedimented doorway, with its four
pillars incrusted in the wall, or of the niche in the same style,
containing the effigy of the Empress Helena bearing the cross, which
intrudes upon the elegant gothic west window.
After the excitement of the day, a reaction had set in, and Lindet
felt dispirited, and disposed to question the judiciousness of his
purpose. He leaned on the window-sill listening to the trill of the
frogs, sweetened by distance, and to the throbbing of the clock in
the tower. From where he stood, he could see the rosy glimmer of
the sanctuary lamp, through the west window of the church. At this
window, looking towards the light which burned before the Host, he
was wont every evening to say his prayers, before retiring to rest.
Public-domain text, read in full here on John Shaqi.
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