In exitu Israel : $b an historical novel, volume 1 (of 2)Baring-Gould, S. (Sabine)
History
In exitu Israel : $b an historical novel, volume 1 (of 2)
Baring-Gould, S. (Sabine)
France -- History -- Revolution, 1789-1799 -- Fiction
He put his delicate hands together. The mechanism of the clock
whirred, and then midnight struck. The notes boomed over the sleeping
town, and lost themselves among the wooded hills. All at once
Lindet’s mind turned to the poor child for whose preservation he had
laboured ineffectually that day. Then, fervently, he prayed for her.
She was seated at the window in Madame Plomb’s antechamber, fast
asleep, with her head on her hands. The window was wide open, and the
shutters were back, so that the moon and air entered, and made the
chamber light and balmy.
About nine o’clock, the cook had been to madame’s room to tell
Gabrielle that she was to sleep with her at the other end of the
house; but Madame Berthier, full of violence, had struck and driven
the woman out of the room, and she had retired, very angry, and
threatening to tell ‘Monsieur.’ The woman had been as good as her
word; but Berthier and Foulon being together in the billiard-room
playing, she had not ventured to interrupt them till they left,
which was at midnight. The cook was very angry, and, like an insulted
servant, threatened to leave the house.
‘Ah! so so!’ exclaimed Berthier. ‘We shall see. You were right to
obey my orders. Gustave! come here; follow me, Antoinette; the girl
shall be removed immediately, awake or asleep, by gentleness or by
force.’
The silver light struck across the face of the sleeping girl, still
wet with tears, and streaked the floor. An acacia intercepted some
of the light, and as a light wind stirred, it produced an uneasy
shiver over the floor. A leaf, caught in a cobweb, pattered timidly
against one of the window-panes. A ghost-moth fluttered about the
room, its white wings gleaming in the moonlight, as it swerved and
wheeled, while its shadow swerved and wheeled in rhythm, on the
sheet of Gabrielle’s couch, as though there were two moths, one
white, the other black, dancing up and down before one another. The
shadows of the acacia foliage made faces on the floor. Dark profiles,
hatchet-shaped, with glistening eyes and mouths that opened and shut,
faces of old women munching silently, silhouettes of demons butting
with their horns, or nodding, as though they would say,--Wait, wait,
wait! We shall see!
Public-domain text, read in full here on John Shaqi.
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