In exitu Israel : $b an historical novel, volume 1 (of 2)Baring-Gould, S. (Sabine)
History
In exitu Israel : $b an historical novel, volume 1 (of 2)
Baring-Gould, S. (Sabine)
France -- History -- Revolution, 1789-1799 -- Fiction
Lindet pushed up the street, passed the Palais de Justice, a
handsome, massive Italian building, and walked straight to the
bishop’s palace. Having reached Évreux, he would do his business and
leave it.
The gate to the palace was decorated with evergreens and banners, the
arms above the archway had been re-gilt and re-coloured; S. Sebastian
was very pink, exuded very red blood from his wounds, and the lion of
monseigneur ramped in a refulgent new coat of gold leaf.
The wooden doors were wide open, displaying the interior of the
quadrangle; a long strip of crimson carpet conducted from the gate
over the pavement to the principal entrance to the house; footmen in
episcopal purple liveries, their hair powdered, skipped hither and
thither.
Lindet walked straight into the court, and asked to see the bishop.
‘You must wait in the office, yonder,’ said the servant he addressed,
with impatience.
‘Please to tell the bishop that I desire to see him.’
‘You’re mighty imperious. Perhaps he may not want to see you.’
‘Never mind. Tell him that Thomas Lindet, curé of Bernay, has walked
to Évreux on purpose to see him, and see him he must.’
‘Well, well, sit down in the office.’
Lindet entered the little room, and waited. He waited an hour, and no
bishop came; he rang a bell, but it was not answered; then he stepped
out into the court, and catching a servant by the arm, insisted on
his message being conveyed to monseigneur.
‘This is a mighty inconvenient time,’ said the man; ‘don’t you know
that the Prince is expected?’
‘But not here.’
‘Yes, here; he stays at the palace.’
Lindet stepped back in astonishment.
‘What does the priest want?’ asked the butler, who was passing at
that moment.
‘I have come here desiring to speak with monseigneur. I have come
from Bernay on purpose.’
‘Get along with you,’ said the butler; ‘what do you mean by intruding
at this time? Don’t you know that his lordship only sees the parsons
on fixed days and hours? Get out of the court at once, you are in the
way here.’
‘I shall not go,’ said the curé, indignantly; ‘I shall not move from
this spot till my message has been taken to the bishop. He may be
just as indisposed to receive me to-morrow as to-day.’
‘Ay! he won’t see any of you fellows till the latter end of next
week. So now be off!’
‘What is the matter?’ asked a voice from an upper window. ‘Chopin,
who is that?’
The butler and the priest looked up. At an open window stood
Monseigneur de Narbonne-Lara, in a bran-new violet cassock and
tippet, his gold pectoral cross rubbed up, his stock very stiff, and
his dark hair brushed and frizzled. ‘What is all this disturbance
about, Chopin, ay?’
‘Monseigneur!’ replied the butler, bowing to the apparition, ‘here is
a curé from Bernay, who persists that he must see your lordship.’
‘Tell him, Chopin, that I am engaged, and that this is not the proper
day.’
‘Monseigneur,’ began the butler, again bowing; but Lindet interrupted
him with--
Public-domain text, read in full here on John Shaqi.
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