In exitu Israel : $b an historical novel, volume 1 (of 2)Baring-Gould, S. (Sabine)
History
In exitu Israel : $b an historical novel, volume 1 (of 2)
Baring-Gould, S. (Sabine)
France -- History -- Revolution, 1789-1799 -- Fiction
‘Well, my precious ones!’ exclaimed she, as she entered. ‘Gabriel!
come to my shoulder. Where is my angel? I do not see him. Gabrielle,
tell me where is the cat, or I perish.’
‘Madame,’ answered the girl, who had started to her feet on the
entrance of the lady, ‘I do not know; I left him in the garden.’
‘Have you cherished him, and consoled him for my absence?’
‘Madame, I have done what I could.’
‘That is right. Oh! it is delightful, now I can leave the house
without anxiety. Hitherto I have been torn with fears lest some
mischief should befall my angel, whenever I have been absent from
home; but now I leave him to you in all confidence. But--what is the
matter with you? you have been crying.’
‘Madame! you have been so good to me, but I cannot remain in this
house. I cannot, indeed.’
‘My dear child, I know that you cannot, and I have this afternoon
been to find you a protector, and I have secured you one.’
‘Who, madame?’
‘The curé of Bernay.’
‘Madame,’ faltered the girl, ‘does he know that I am here?’
‘Yes, child.’
‘And he will yet receive me?’
‘I do not know that he will himself receive you, but he has promised
to find you a refuge.’
‘Madame, tell me, does he think evil of me?’
‘Of you? No; why should he?’
‘Because, madame, I am in this house.’
‘Ah, to be sure; that is not to the credit of any young woman; but I
have assured him that I stood between you and harm.’
Gabrielle flung herself before Madame Berthier, to clasp her feet;
the lady caught her and held her to her heart.
‘You are too good to me,’ the girl sobbed. ‘Oh, madame, how can I
ever repay you?’
‘You will pray for me.’
‘Ever, ever!’ fervently ejaculated Gabrielle.
‘And for Gabriel, my cat.’
‘Madame,’ said the girl, clinging to the unfortunate lady, ‘madame,
how shall I say it?--but you are yourself in danger.’
‘I am always in danger,’ said the poor woman. ‘Am not I married to
a beast? But tell me, now, what has made you cry whilst I have been
out? The beast has not been near you to insult you. If he has,’--she
gnashed her teeth; all the softness which had stolen over her strange
countenance altering suddenly to an expression of hardness,--‘if
he has, I shall draw my knife upon him again. And I should be sorry
to do that, because I do not want to make him bleed; I have other
designs in my head. Ah! they are secrets: we shall see! perhaps
some day we shall be more alike than we are now. Well--’ she seated
herself and removed her bonnet and veil--‘well, and how came you to
part company with the yellow cat?’
‘Madame! you are in danger.’
Public-domain text, read in full here on John Shaqi.
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