In exitu Israel : $b an historical novel, volume 2 (of 2)Baring-Gould, S. (Sabine)
History
In exitu Israel : $b an historical novel, volume 2 (of 2)
Baring-Gould, S. (Sabine)
France -- History -- Revolution, 1789-1799 -- Fiction
'Quite so. Well, would you believe it, I have a barbarous name, a
German-Swiss name, which is a mouthful--a name to tremble at, a name
for a horse to shy at, for a dog to bark at, for a cat to set up its
back at. And yet I am French at heart. From the tip of my hair to the
soles of my feet I am French, French--always French. Hold! There is
always something dapper, comely, sweet about a Frenchwoman which you
cannot find in the great German frau, who is all fat and lymph, and
languor. And the Frenchman, too. He is an object to adore; he is a man
sensitive, courteous, gallant; a being to excite the heart, to inspire
enthusiasm, to claim devotion; but a German! My faith! I am married,
I am sacrificed to a German-Swiss. Do not ask me to describe him; I
should expire in making the attempt. The Frenchman is all vehemence,
go, fire, and the German is all conscience. But you will tell me that
the German has sentiment. I grant you it. But of what nature? It is
all of the past, and ours is of the present. We live and palpitate for
to-day, the Herr for five hundred years ago. Yesterday is nothing to
me; to him yesterday is everything, and to-day is nothing. A German
child is to me a wonder; it is not like any French child I ever met.
It lives in dreamland, a dreamland peopled with fairies; now a French
child cares for no fairies which are not made of chocolate, which it
cannot suck.'
'What about Gabrielle?' asked Berthier, impatiently.
'There, now,' said Madame Deschwanden, 'I quite understand about your
interest in her. I could not get the same idea into the corporal's head
if I were to use a gimlet. But I--I am French, I delight in sentiment,
I love intrigue, I worship the noble passion. I can throw myself
entirely into your position, and I can feel with you and for you. That
is splendid--that is French! Well, then, I say to you, monsieur, you
have gone the wrong way to work; you have used wrong methods, you have
exhibited barbarous ignorance, you have acted altogether like a German.
Where is the delicacy of touch, the subtlety of intrigue, the _finesse_
of action that belongs to one of your nation? I look for it, and I find
it not. I repeat it, you have gone the wrong way to work. You have
used coarse methods, and you have shown your utter ignorance of the
female character. You should not have employed force, that is certain
to revolt; you should not have offered a bribe openly, you should have
vaguely suggested advantages; you should not have exhibited yourself
as a tyrant, you should have acted the martyr. Why!' cried Madame
Deschwanden, 'I--_I_ would have rebelled, and spoken, and scratched,
and bitten, if I had been blockaded in the brutal, clumsy manner you
have adopted in laying siege to Gabrielle. You know absolutely nothing
of the art of conducting these little affairs of the heart. Mon Dieu!
I--_I_ could have accomplished a triumph in half the time without a
quarter of the material.'
Public-domain text, read in full here on John Shaqi.
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