Pastor Meek was a man of medium height, broad-shouldered, but rather
stout. He carried his head high, it was broad and glistening, encircled
by thick white hair. "Now I know!" whispered Ragni, "I am sure they are
related to that young man we met the first day we were here. Of course
you remember him, he was so good-looking."
"Yes, of course, that's it! The same arched face. They might perfectly
belong to the Bourbons."
The old man thanked the company for their welcome in a low voice, but
he spoke slowly. His eyes were not cheerful, on the contrary, they were
wistful and resigned. He did not give one the impression of being a
determined man, but of being kind-hearted and thoughtful. When any of
the officials of high standing spoke to him, he put on a stiff,
ceremonious manner, quite in the old style.
"The new doctor" was introduced, and Fru Lilli Bing said to Ragni, as
if she knew all about it: "Oh, how you two must suit each other! May I
introduce you Fru Kallem, Fröken Kraby?" They bowed to one another
rather shyly, but began to talk of the young man whom Fröken Kraby was
like; he was her nephew and was very musical. This led to their
speaking of music, and they never left one another's side for the rest
of the evening.
Ragni had seldom--one may say never--with the exception of Kallem,
found anyone who had so entirely taken up her thoughts. This quiet, and
yet at the same time bright, blondine was so charming, and all she said
was the expression of her own thoughts. Alas! she had to leave the town
in a few days forever! That this was the first, and perhaps the last,
time they were ever to meet, drew them with a kind of melancholy
sweetness to each other. Ragni agreed on this account to play when her
host, later in the evening, in his chaffing way, asked her to do so;
she wished her new friend to learn to know her as well as possible.
"Do stand so that I may see a face I know," she whispered, and then
began Solveig's song from "Per Gynt." They had probably expected a
showy piece, not such a simple melody; but when the piano had finished
"singing," they were all so charmed that the town magistrate, who was
general spokesman on such occasions, begged her to repeat it; which she
readily did. Then followed the Wizard's March, so unutterably weird;
directly after that Selmer's "Child's Frolics," such a delicate,
charming contrast; she played it with the same clear understanding and
feeling of the smallest nuances; then came a quiet, old-fashioned song
by Sinding, each note like a separate word; then a bright, lively song
by Svendsen; and finished up with a festival march by Selmer. She was
not at all nervous to-day, her eyes flashed out volumes to Tilla, and
from her to many others, volumes of all sorts of enchanted tales. The
company was much entertained; the town magistrate marched about like a
braying trumpet. Old Meek came up to her with old-fashioned gallantry;
Tilla whispered to her: "Grandfather is so musical."
Public-domain text, read in full here on John Shaqi.
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