Dickens, Charles, 1812-1870 -- Knowledge -- Prisons; Prisons; Prisons -- England -- London; Prisons in literature
Now it is used as a common room for
the confinement of vagrants and drunkards picked up on the streets,
pending their confinement to the penal institutions.
Of another old and hideous institution which one cannot disassociate
with the Tombs, in spite of the abolition of it which has been decreed
by law, Dickens wrote:
"The prison yard, in which he pauses now, has been the scene of
terrible performances. Into this narrow, grave-like place men are
brought out to die. The wretched creature stands beneath the gibbet on
the ground; the rope is about his neck; and when the sign is given a
weight at its other end comes running down and swings him up into the
air--a corpse. The law requires that there be present at this dismal
spectacle the judge, the jury, and citizens to the amount of
twenty-five. From the community it is hidden. To the dissolute and bad
the thing remains a frightful mystery. Between the criminal and them
the prison wall is interposed as a thick and gloomy veil. It is the
curtain to his bed of death, his winding sheet and grave. From him it
shuts out life and all the motives to unrepenting hardihood in that
last hour, which its mere sight and presence is often all sufficient
to sustain. There are no bold eyes to make him bold; no ruffians to
uphold a ruffian's name before. All beyond the pitiless stone wall is
unknown space."
At the time of Dickens's visit (1842) London was still the scene of
public hangings, and the privacy with which the executions in the Tombs
were conducted furnished him with a text for one of his protests against
the existing state of things at home. The Tombs hangings were private,
as he stated, but they were not unattended by morbid interest on the
part of the mob. On the morning of an execution, the obscene streets all
about would swarm with obscene life. From their festering dens in the
Five Points, and from the remoter haunts of vice and crime which had
grown up with the growth of the town, the social banditti came in a
scowling, ribald and revolting legion. They camped on doorsteps before
dawn, and all the groggeries drove a roaring trade. They beguiled the
time with gloating reminiscences of their criminal lives, and watched
the jail roof for a signal that the ghastly work within was done.
Curiously enough, nature had provided them with a sign as certain as the
running up of the black flag upon the wall of Newgate. A great number of
pigeons had found lodgment in the Tombs yard, nesting in cotes which had
been put up for them along the inner jail walls and in the eaves of the
buildings themselves. Long immunity from human aggressions had rendered
them fearless, and when the audience gathered for an execution, under
the gray shadow of the jail walls, the pigeons were equally certain to
assemble, cooing and pluming themselves in the sunlight above. When, at
the fatal moment, the heavy thud of the executioner's axe denoted the
Public-domain text, read in full here on John Shaqi.
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