Dickens, Charles, 1812-1870 -- Knowledge -- Prisons; Prisons; Prisons -- England -- London; Prisons in literature
"I was accompanied to this prison by two gentlemen officially
connected with its management, and passed the day in going from cell
to cell and talking with the inmates. Every facility was afforded me
that the utmost courtesy could suggest. Nothing was concealed or
hidden from my view, and every piece of information that I sought was
openly and frankly given. The perfect order of the building cannot be
praised too highly, and of the excellent motives of all who are
immediately concerned in the administration of the system there can be
no kind of question.
"Between the body of the prison and the outer wall there is a spacious
garden. Entering it by a wicket in the massive gate, we pursued the
path before us to its other termination, and passed into a large
chamber, from which seven long passages radiate. On either side of
each is a long, long row of low cell-doors with a certain number over
every one. Above a gallery of cells like those below, except that they
have no narrow yard attached (as those in the ground tier have), and
are somewhat smaller. The possession of two of these is supposed to
compensate for the absence of so much air and exercise as can be had
in the dull strip attached to each of the others, in an hour's time
every day; and, therefore, every prisoner in this upper story has two
cells, adjoining and communicating with each other.
"Standing at the central point and looking down these dreary passages,
the dull repose and quiet that prevails is awful. Occasionally there
is a drowsy sound from some lone weaver's shuttle or shoemaker's last,
but it is stilled by the thick walls and heavy dungeon door, and only
serves to make the general stillness more profound. Over the head and
face of every prisoner who comes into this melancholy house a black
hood is drawn; and in this dark shroud, an emblem of the curtain
dropped between him and the living world, he is led to the cell from
which he never again comes forth until his whole term of imprisonment
has expired. He never hears of wife or children, home or friends; the
life or death of any single creature. He sees the prison officers,
but, with that exception, he never looks upon a human countenance, or
hears a human voice. He is a man buried alive, to be dug out in the
slow rounds of years, and, in the meantime, dead to everything but
torturing anxieties and horrible despair.
Public-domain text, read in full here on John Shaqi.
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