Inheritance and succession -- Fiction; Love stories; Maryland -- Fiction; Mystery fiction
I was standing near the receiving line of ladies when Chalmers Warriner
came up; and, in spite of my secret dislike and suspicion, I could not
help thinking how distinguished looking he was--just the sort of man
that a woman invariably favors with a second glance. And now he was
lingering for that maddening hundredth part of a second over Betty's
hand; I heard him whisper: "The supper waltz then?" and I saw Betty
start and flush and finally nod a smiling assent. Ignoble of me to be
standing there, actually spying on my own wife! I admit the justice of
your censure, dear reader, but have you ever endured even the smallest
pang of the jealous man's agony? One ought to be competent to testify in
this particular court.
I suppose I went through the ordinary motions of a man attending a ball;
I have a vague recollection of dancing at least half a dozen times; I
comforted innumerable elderly dowagers and flagons of near-claret cup,
and encouraged several flappers to venture on their first cigarette in
the friendly dusk of the pleached lime alley; I even played one rubber
of auction with the colonel, the commodore, and the judge, while they
were awaiting the arrival of the rector to make up their accustomed
coterie. But my eyes were always fixed on the big clock at the end of
the hall; according to our simple country fashion supper was invariably
scheduled for midnight, and was preceded by the principal waltz number
of the dance program.
There it came at last! the opening bars of Strauss's "On the Beautiful
Blue Danube." Why is it that smiles and tears lie so close together in
the lilt and swing of a fine waltz tune? And, by that same token, the
saddest music in all the world to-day is that same "Blue Danube," the
last, faint exhalation of an old regime that, however rotten at its
core, continued to present a lovely and gracious exterior. At least
there were no war-brides and greasy Israelitish profiteers on the
polished boards of the ancient Hofberg when Maestro Johann raised his
baton, and his incomparable band, in their gay Hussar uniforms, breathed
out the intoxicating melody which the great Brahms himself would not
have been ashamed to have composed, the veritable apotheosis of the
dance.
Gone, all gone! and this old, gray world, albeit made safe for
democracy, has yet lost something of perennial beauty and enchantment
that can never be renewed--a broken spell, a vanished vision. The wax
candles have guttered to their sockets, the shimmering waves of color
are graying under the merciless white light of a proletarian dawn, the
haunting violins have sobbed themselves to sleep; and of all that
brilliant, bewildering, phantasmagoric past there remains but one
poignant and exquisite echo--the "Blue Danube."
Public-domain text, read in full here on John Shaqi.
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