Japan -- Foreign relations -- Korea; Korea; Korea -- Foreign relations -- Japan
Mr. Takezoye was at Chemulpo when Count Inouye arrived on
the 31st of December. The Count was also met by Mr. von
Mollendorff, a high official of the Chinese Customs, detailed
for duty in Korea, who likewise acted in a diplomatic capacity.
Count Inouye informed him that he intended to go to Seoul at
once and to demand an audience at the earliest practicable
moment. Mr. von Mollendorff had various reasons to urge for
delay, but Count Inouye swept them aside, and the Embassy
proceeded to Seoul the next day; it was accompanied by about
400 soldiers, a smaller force having been left at Chemulpo.
In Seoul, where they arrived that night, the Ambassador and
suite were lodged in the yamen of the Governor of the City,
just outside the West Gate. The same night the Ambassador
presented his formal request for an immediate audience. It met
with the customary Oriental reception: His Majesty was not in
robust health; the Ambassador himself must be tired and in need
of rest after his long journey; the attention of His Majesty
was occupied with preparations for a fitting reception of His
Excellency, and so on. Mr. von Mollendorff was kept very busy
running back and forth, but finally it was made clear to the
minds of the King’s advisers that Count Inouye meant exactly
what he said, and that disagreeable things might happen if he
did not have his way.
The audience was finally appointed for January 3d. On the
morning of that day the cavalcade set forth, a military band
trained by a foreign band-master in the van; then a mounted
guard of honor; then the Ambassador, accompanied by Admiral
Kabayama and General Takashima and followed by his secretaries,
and bringing up the rear a company of infantry. As the
procession passed through the Gate and emerged into the wide
street leading to the East Gate, a curious and inspiriting
spectacle presented itself. The morning was fresh and clear;
the air crisp and invigorating, and the broad, sunny street
as far as the eye could see was one mass of gaily clad
humanity, men dressed in coats of every color, white, as is
usual, predominating. The crowds parted before the head of the
procession like waves beneath the prow of a ship; the Korean
police ran alongside plying their many-thonged whips with
indiscriminate zeal; and then, as if to add the last queer
touch to the whole proceeding, the band struck up “Dixie.”
Public-domain text, read in full here on John Shaqi.
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