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The champagne, in fact, had made her forget the instructions of her
tutor. At all events, she looked anything but "quiet," with her face
flushed and her eyes bright. Suddenly she caught Arnold's expression
of suspicion and watchfulness, and resolutely subdued a rising
inclination to get up from the table and have a walk round with a
snatch of a Topical Song.
"Forgive me, Clara," she murmured in her sweetest tone, "forgive me,
cousin. I feel as if I must break out a bit, now and then. Yankee
manners, you know. Let me stay quiet with you for a while. You know
the thought of starched and stiff London society quite frightens me. I
am not used to anything stiff. Let me stay at home quiet, with you."
"Dear girl!" cried Clara, her eyes filling with tears; "she has all
Claude's affectionate softness of heart."
"I believe," said Arnold, later on in the evening, "that she must have
been a circus rider, or something of that sort. What on earth does
Clara mean by the gentle blood breaking out? We nearly had a breaking
out at dinner, but it certainly was not due to the gentle blood."
After dinner, Arnold found her sitting on a sofa with Clara, who was
telling her something about the glories of the Deseret family. He was
half inclined to pity the girl, or to laugh--he was not certain
which--for the patience with which she listened, in order to make
amends for any bad impression she might have produced at dinner. He
asked her, presently, if she would play. She might be, and certainly
was, vulgar; but she could play well and she knew good music. People
generally think that good music softens manners, and does not permit
those who play and practice it to be vulgar. But, concerning this
young person, so much could not be said with any truth.
"You play very well. Where did you learn? Who was your master?" Arnold
asked.
She began to reply, but stopped short. He had very nearly caught her.
"Don't ask questions," she said. "I told you not to ask questions
before. Where should I learn, but in America? Do you suppose no one
can play the piano, except in England? Look here," she glanced at her
cousin. "Do you, Mr. Arbuthnot, always spend your evenings like this?"
"How like this?"
"Why, going around in a swallow tail to drawing-rooms with the women,
like a tame tom-cat. If you do, you must be a truly good young man. If
you don't, what do you do?"
"Very often I spend my evenings in a drawing-room."
"Oh, Lord! Do most young Englishmen carry on in the same proper way?"
"Why not?"
"Don't they go to music-halls, please, and dancing cribs, and such?"
"Perhaps. But what does it concern us to know what some men do?"
"Oh, not much. Only if I were a man like you, I wouldn't consent to be
a tame tom-cat--that is all; but perhaps you like it."
She meant to insult and offend him so that he should not come any
more.
But she did not succeed. He only laughed, feeling that he was getting
below the surface, and sat down beside the piano.
Public-domain text, read in full here on John Shaqi.
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