In Mr. Knox's CountrySomerville, E. Oe. (Edith Oenone)
General
In Mr. Knox's Country
Somerville, E. Oe. (Edith Oenone)
British -- Ireland -- Fiction; Ireland -- Social life and customs -- Fiction; Judges -- Fiction
Sounds of conflict and clattering came from below. I splashed onwards
in the trough between the hill and the fence, and had emerged into a
comparatively open space with my closely attendant McRory, when the
impassioned face of Mr. Irving's Meath mare shot into view at the top
of the steps. The water in the trough was apparently for her the limit
of what should or could be endured. She made a crooked spring at the
hill-side, slipped, and, recognising the bank as the one civilised
feature in a barbarous country, bounced sideways on to the top of it,
pivoted there, and sat down backwards into a thicket of young ash and
hazel trees. A succession of short yells from Miss McRory acclaimed
each phase of the incident; Mr. Irving's face, as he settled down
amongst the branches, was as a book where men might read strange
matters, not of an improving nature.
It was probably the reception accorded to the bay mare by the branches
and briars in which she had seated herself that caused her to return to
the top of the bank in a kangaroo-bound, as active as it was
unexpected. Horses can do these things when they choose, but they
seldom choose. From the top of the bank she dropped into the trough,
and joined us, with her nerves still in a state of acute indignation,
and less of her rider in the saddle than is conventional, but a dinge
in his pot-hat appeared to be the extent of the damage. Miss McRory's
eye travelled from it to me, but she abstained from comment. It was
the eye of a villain and a conspirator. I had by no means forgotten
the injuries inflicted on me by her brothers, nor did I forget that
Flurry had said that there wasn't one of the family but was as clever
as the devil and four times as unscrupulous. Yet, taken in conjunction
with the genuineness of her complexion, and with the fact that Irving
was probably twenty years my junior, "I couldn't"--as the song
says--"help smiling at McRory O'More" (behind the back of young Mr.
Irving, D.I.).
It transpired that Irving, from some point of vantage below, shared, it
would appear, with Miss McRory, had seen the hounds running out of the
top of the wood, and had elected to follow me. He did not know where
any one was, had not heard a sound of the horn, and gave it as his
opinion that Flurry was dead, and that trying to hunt in this country
was simply farcical. He bellowed these things at me in his
consequential voice as we struggled up the hill against the immense
weight of wind, in all the fuss, anxiety, and uncertainty out of which
the joys of hunting are born. It was as we topped the ultimate ridge
that, through the deafening declamations of the wind, I heard, faint as
a bar of fairy music, distant harmonies as of hounds running.
The wind blew a hole in the mist, and we had a bird's-eye view of a few
pale-green fields far below: across one of them some pigmy forms were
moving; they passed over a dark line that represented a fence, and
proceeded into the heart of a cloud.
Public-domain text, read in full here on John Shaqi.
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