In Mr. Knox's CountrySomerville, E. Oe. (Edith Oenone)
General
In Mr. Knox's Country
Somerville, E. Oe. (Edith Oenone)
British -- Ireland -- Fiction; Ireland -- Social life and customs -- Fiction; Judges -- Fiction
Sounds of hilarity immediately travelled to us along a passage; I
followed Miss Bennett, feeling much as if I were being led by a
detective into Chinatown, San Francisco. A square of light in the wall
indicated one of those inner windows that are supposed to give light
mutually to room and passage, and are, as a matter of fact, an
architect's confession of defeat. Farther on a door was open, and
screams of laughter and singing proceeded from it. I admit, without
hesitation, that we looked in at the window, and thus obtained a full
and sufficient view of the _vie intime_ of the Temple Braney kitchen.
A fat female, obviously the cook, was seated in the midst of a
remarkably lively crowd of fellow-retainers and camp-followers,
thumping with massive knuckles on a frying-pan, as though it were a
banjo, and squalling to it something in an unknown tongue.
"She's taking off Miss Cooney O'Rattigan!" hissed Miss Bennett, in
ecstasy. "She's singing Italian, by way of! And look at those two
brats of boys, Vincent and Harold, that should have been in their beds
two hours ago!"
Masters Vincent and Harold McRory were having the time of their lives.
One of them, seated on the table, was shovelling tipsy-cake into his
ample mouth with a kitchen spoon; the other was smoking a cigarette,
and capering to the squalls of the cook.
As noiselessly as two bats Miss Bennett and I flitted past the open
door, but a silence fell with a unanimity that would have done credit
to any orchestra.
"They saw us," said Miss Bennett, scudding on, "but we'll not tell on
them--the creatures!"
An icy draught apprised us of an open door, and through it we escaped
at length from the nightmare purlieus of the house into the yard, an
immense quadrangle, where moonlight and black shadows opposed one
another in a silence that was as severe as they. Temple Braney House
and its yard dated from what may be called the Stone Age in Ireland,
about the middle of the eighteenth century, when money was plenty and
labour cheap, and the Barons of Temple Braney, now existent only in
guidebooks, built, as they lived, on the generous scale.
We crossed the yard to the coach-house in which I had left my motor:
its tall arched doorway was like the mouth of a cave, and I struck a
match. It illuminated a mowing-machine, a motor-bicycle, and a flying
cat. But not my car. The first moment of bewilderment was closed by
the burning of my fingers by the match.
"Are you sure it was here you left it?" said Miss Bennett, with a
fatuity of which I had not believed her capable.
The presence of a lady was no doubt a salutary restraint, but as I went
forth into the yard again, I felt as though the things I had to leave
unsaid would break out all over me like prickly heat.
"It's the medical student one," said Miss Bennett with certainty, "the
one that owns the motor-bike."
The yard and the moonlight did not receive this statement with a more
profound silence than I.
Public-domain text, read in full here on John Shaqi.
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