I spoke of my bird's posturing; that was one of his pleasures, and
almost his only exercise while he lived in the house. He was not
graceful, his body was not flexible, and his tail was far from being the
expressive member it is with many birds, it always stood straight out;
he could raise it with a little jerk, and he had a beautiful way of
opening it like a fan, but I never saw it droop or stir in any other
way. In these movements his head and tail maintained the same relative
position to the body, as though they were cut out of one piece of wood;
but he bowed and leaned far over on one side, with his short legs wide
spread; he passed down a perch, alternately crouching and rising, either
sideways or straight; he jerked his whole body one side and then the
other, in a manner ludicrously suggestive of a wriggle; he sidled along
his perch, holding his wings slightly out and quivering, then slowly
raised them both straight up, and instantly dropped them, or held them
half open, fluttering and rustling his feathers.
He had also a curious way of moving over a long perch: he proceeded by
sidewise hops, and at each hop he turned half round, that is, the first
step he faced the window, the next the room, the third the window again,
and so on to the end, coming down at every jump as though he weighed a
pound or two. He was much addicted to sitting with breast-feathers
puffed out covering his toes, or sometimes with wings held a little way
from his body, showing the delicate rose-colored lining, as though
conscious how pretty he looked; and among other eccentric habits he
often thrust out his tongue, first one side and then the other,
apparently to clean his bill.
Public-domain text, read in full here on John Shaqi.
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