In New England Fields and WoodsRobinson, Rowland Evans
History
In New England Fields and Woods
Robinson, Rowland Evans
Natural history -- New England; Natural history -- Outdoor books
With startling suddenness out of the monotony of lifeless color in an
eddying flurry of dead leaves, fanned to erratic flight by his
wing-beats, the ruffed grouse bursts into view, in full flight with the
first strokes of his thundering pinions, and you have a brief vision of
untamed nature as it was in the old days. On either side of the
vanishing brown nebula the ancient mossed and lichened trunks rear
themselves again, above it their lofty ramage veils the sky, beneath it
lie the deep, noiseless cushion of moss, the shrubs and plants that the
old wood rangers knew and the moose browsed on, and the tangled trunks
of fallen trees. You almost fancy that you hear the long-ago silenced
voices of the woods, so vividly does this wild spirit for an instant
conjure up a vision of the old wild world whereof he is a survival.
Acquaintance with civilized man has not tamed him, but has made him the
wilder. He deigns to feed upon apple-tree buds and buckwheat and
woodside clover, not as a gift, but a begrudged compensation for what
you have taken from him, and gives you therefor not even the thanks of
familiarity; and notwithstanding his acquaintance with generations of
your race he will not suffer you to come so near to him as he would your
grandfather.
If, when the leaves are falling, you find him in your barnyard, garden,
or out-house, or on the porch, do not think he has any intention of
associating with you or your plebeian poultry. You can only wonder where
he found refuge from the painted shower when all his world was wooded.
If he invites your attendance at his drum solo, it is only to fool you
with the sight of an empty stage, for you must be as stealthy and
keen-eyed as a lynx to see his proud display of distended ruff and wide
spread of barred tail and accelerated beat of wings that mimic thunder,
or see even the leafy curtain of his stage flutter in the wind of his
swift exit.
How the definite recognition of his motionless form evades you, so
perfectly are his colors merged into those of his environment, whether
it be in the flush greenness of summer, the painted hues of autumn or
its later faded dun and gray, or in the whiteness of winter. Among one
or the other he is but a clot of dead leaves, a knot upon a branch, the
gray stump of a sapling protruding from the snow, or, covered deep in
the unmarked whiteness, he bursts from it like a mine exploded at your
feet, leaving you agape till he has vanished from your sight and your
ears have caught the last flick of his wings against the dry branches.
Public-domain text, read in full here on John Shaqi.
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