In New England Fields and WoodsRobinson, Rowland Evans
History
In New England Fields and Woods
Robinson, Rowland Evans
Natural history -- New England; Natural history -- Outdoor books
The ancient trees that rear themselves aloft like strong pillars set to
hold up the narrow arch of darkness, exhale an atmosphere of the past,
in which your thoughts, waking or sleeping, drift backward to the old
days when men whose dust was long since mingled with the forest mould
moved here in the rage of war and the ardor of the chase. Shadowy forms
of dusky warriors, horribly marked in war paint, gather about the
camp-fire and sit in its glare in voiceless council, or encircle it in
the grotesquely terrible movement of the war dance.
Magically the warlike scene changes to one of peace. The red hunters
steal silently in with burdens of game. The squaws sit in the ruddy
light plying their various labors, while their impish children play
around them in mimicry of battle and the chase.
All then vanish, and white-clad soldiers of France bivouac in their
place--or red-coated Britons, or Provincial rangers, unsoldierly to look
upon, in home-spun garb, but keen-eyed, alert, and the bravest of the
brave.
These dissolve like wreaths of smoke, and a solitary white hunter,
clothed all in buckskin, sits over against you. His long flint-lock
rifle lying across his lap, he is looking with rapt gaze into the fire,
dreaming as you are.
So, growing brighter as the daylight grows dim and the gloaming thickens
to the mirk, and paling again as daylight creeps slowly back upon the
world, but always bright in the diurnal twilight of the woods, the
camp-fire weaves and breaks its magic spells, now leaping, now lapsing,
as its own freaks move it. Then, perhaps, when it has charmed you far
across the border of dreamland and locked your eyes in the blindness of
sleep, it will startle you back to the cold reality of the wintry woods
with a crash and roar of sudden revival.
XLVIII
JANUARY DAYS
In these midwinter days, how muffled is the earth in its immaculate
raiment, so disguised in whiteness that familiar places are strange,
rough hollows smoothed to mere undulations, deceitful to the eye and
feet, and level fields so piled with heaps and ridges that their owners
scarcely recognize them. The hovel is as regally roofed as the palace,
the rudest fence is a hedge of pearl, finer than a wall of marble, and
the meanest wayside weed is a white flower of fairyland.
The woods, which frost and November winds stripped of their leafy
thatch, are roofed again, now with an arabesque of alabaster more
delicate than the green canopy that summer unfolded, and all the floor
is set in noiseless pavement, traced with a shifting pattern of blue
shadows. In these silent aisles the echoes are smothered at their
birth. There is no response of airy voices to the faint call of the
winter birds. The sound of the axe-stroke flies no farther than the
pungent fragrance of the smoke that drifts in a blue haze from the
chopper's fire. The report of the gun awakes no answering report, and
each mellow note of the hound comes separate to the ear, with no jangle
of reverberations.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account