City and town life -- Fiction; United States -- Social life and customs -- Fiction
"A ten-line item appeared in last night's paper, away down in one
corner, that brought more hearts together in a common bond--the bond of
fear and sympathy and sorrow--than any other item has done for a long
time. The item told of the death, by scarlet fever, of little Flossie
Yengst. Probably the child was not known outside of her little group of
playmates; her father and mother are not of that advertised clique known
of men as prominent people; he is an engineer on the Santa Fe, and the
mother moves in that small circle of friends and neighbours which
circumscribes American motherhood of the best type. And yet last night,
when that little ten-line item was read by a thousand firesides in this
town, thousands and thousands of hearts turned to that desolate home by
the track, and poured upon it the benediction of their sympathies. That
home was the meeting-place where rich and poor, great and weak, good and
bad, stood equals. For there is something in the death of a little
child, something in its infinite pathos, that makes all human creatures
mourn. Because in every heart that is not a dead heart, calloused to all
joy or sorrow, some little child is enshrined--either dead or
living--and so child-love is the one universal emotion of the soul, and
child-death is the saddest thing in all the world.
"A child's soul is such a small thing, and the world and the systems of
worlds, and the infinite stretches of illimitable space, are so wide for
a child's soul to wander in, that, sane as we may be, stolid as we may
try to be, we think in imagery, and the figure of little feet setting
off on the far track to the end of things, hunting God, wrings our
heart-strings and makes our throats grip and our eyelids quiver.
"And then a child dying, leaving this good world of ours, seems to have
had so small a chance for itself. There is something in all of us
struggling against oblivion, striving vainly to make some real impress
on the current of time, and a child, dying, can only clutch the hands
about it and go down--forever. It seems so merciless, so unfair. Perhaps
that is why, all over the world, the little graves are cared for best.
It is to the little graves that we turn in our keenest anguish and not
to the larger mounds; to the little graves that our hearts are drawn in
our hours of triumph. And so the child, though dead, lives its appointed
time and dies only in the fullness of its years. The little shoes, the
little dresses, the 'little tin soldiers covered with rust,' and the
memories sweeter than dreams of a honeymoon, these are life's
immortelles that never fade. And though men and women come and go upon
the earth, though civilisations may wither and pass, these little images
remain; and the sun and the stars, which see men come and go, may see
these little idols before which every creature bows, and the sun and
stars, knowing no time, may think these children's relics are also
eternal.
Public-domain text, read in full here on John Shaqi.
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