George Kirwin says that long after midnight Joe awakened from a doze, fumbling through the bedclothes, looking for something. Finally he complained that he could not find his mouth-harp. They tried to make him forget it, but when they failed, his mother went to the bureau and pulling open the lower drawer found a little varnished box; under the shaded lamp she brought out a sack of marbles, a broken bean-shooter, with whittled prongs, a Barlow knife, a tintype picture of a boy, and the mouth-organ. This she gave to the hands that fluttered about the face on the pillow. He began to play "The Mocking Bird," opening and shutting his bony hands to let the music rise and fall. When he closed that tune he played "O the Mistletoe Bough," and after that over and over again he played "Tenting on the Old Camp Ground." When he dropped the mouth-harp, he lay very still for a time, though his lips moved incessantly. The morning was coming, and he was growing weak. But when his voice came back they knew that he was far afield again; for he said, "Come on, fellers, let's set down here under the hill and rest. It's a long ways back." When he had rested he spoke up again, "Say, fellers, what'll we sing?" George tried him with a gospel hymn, but Joe would have none of it, and reviled the song and the singer after the fashion of boys. In a moment he exclaimed: "Here--listen to me. Let's sing this," and his alto voice came out uncertainly and faintly: "Wrap Me up in My Tarpaulin Jacket." George Kirwin's rough voice joined the song and the mother listened and wept. Other old songs followed, but Joe Nevison, the man, never woke up. It was the little boy full of the poetry and sweetness of a child at play, the boy who had turned the poetry of his boyish soul into a life of adventure unchecked by moral restraint, whose eyes they closed that morning. And George Kirwin explained to us when he came down to work that afternoon, that maybe the bad part of Joe Nevison's soul had shrivelled away during his sickness, instead of waiting for death. George told us that what made him sad was that a soul in which there was so much that might have been good had been stunted by life and was entering eternity with so little to show for its earthly journey. When one considers it, one finds that Joe Nevison wasted his life most miserably. There was nothing to his credit to say in his obituary--no good deed to recount and there were many, many bad ones. Moreover, the sorrow and bitterness that he brought into his father's last days, and the shame that he put upon his mother, who lived to see his end, made it impossible for our paper to say of him any kind thing that would not have seemed maudlin.