"You are talking to your own destruction, my dear sir," he said,
raising his voice. "You might just as well declare in a mosque that
Allah was not Allah, and Mohammed was not his prophet, as to assert to
this crowd of enthusiastic youths that there is anything more divine
than music, or that devotion to it, its service and its cultivation,
could ever be pushed too far. Entrench yourself behind your blocks of
marble, so that we may grant you peace on favorable terms. What would
you say if some one declared that whoever uses his mallet nine hours of
the day must, in the course of time, lose his sense of hearing and
sight, that his intellectual power would finally become deadened and
petrified, and that his soul would get to be as dusty and muddy as the
blouse he wears when he hammers his stones?"
A unanimous shout of bravos arose from the group standing nearest him,
and a murmur of satisfaction ran through the _salon_.
The countess, who now for the first time became aware of the dialogue,
was seen hastily approaching, with the intention of averting the
threatened storm by a timely word. But Jansen had already risen to his
feet, and stood confronting the professor with the most unruffled
composure.
"What would I say?" he cried, loud enough to be understood by all. "I
would say that in every art there are artists and mechanics, and that
the latter know as little of the god whom they serve as the sexton who
sweeps out the church and hands about the contribution-box. Of all the
arts there is but one which does not know the dust of the workshop,
that has no underlings and assistants, or, at the worst, merely
charlatans who fancy themselves masters; and even these know nothing of
that kind of mechanical readiness which murders the soul and deadens
thought. For that reason it is the highest and most divine of the arts,
before which the others bow, and which they ought to worship as their
mistress and goddess. To you, who are in the habit of lecturing upon
æsthetics, I should be ashamed to explain myself more fully by saying
that I refer to poetry, were it not that in your toast you offered an
insult to the majesty of this, the highest muse, which I can only
excuse upon the supposition that you have strayed from the temple of
the true divinity, and wandered by mistake into a mosque."
With these words he raised his glass, held it before the flame of the
lamp and slowly drank it off. A deathlike silence followed; the
professor, who was apparently on the point of making a rather
irritating reply, was restrained by a meaning look from the countess.
She herself had looked at the sculptor while he spoke, with a peculiar,
searching, flashing look, and merely threatened him playfully with her
finger as he now advanced toward her as if to take leave.
"Stay," she whispered to him, "I have a word to speak with you."
Public-domain text, read in full here on John Shaqi.
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