"Perhaps it merely arises from the fact that true friendship, real
thorough companionship, is so rare among our sex," answered Julie,
musingly. "We are just as loath to permit another to shine among
ourselves as before the men. But something has just occurred to me;
might not we take advantage of the occasion, and, as you recently
proposed, take a look at Jansen's studio?"
"And why not rather when he is there himself? He would undoubtedly be
very happy--"
"No, no!" interposed Julie, hastily, "I will not do that. I have
invariably played such a silly part in studios--because it is
impossible for me to bring myself to pay a trivial compliment--that I
have sworn never again to visit an artist surrounded by his works. You
know it is my Cordelia-like character--whenever my heart is full my
mouth refuses to overflow."
"Foolish woman!" laughed the artist, hastily wiping her brush and
preparing herself to go out. "You of the public always imagine that we
want to hear eulogies. When you lose the power of speech from
admiration, and make the most foolish and enraptured faces, I like you
a thousand times better."
Angelica called the janitor, who was busily engaged in the yard
brushing away the moths from an old piece of Gobelin tapestry that
Rosenbusch had recently bought. While he went off to fetch the key to
the studio, she whispered to her friend:
"We will not go first into the saint-factory, but pass at once into
the holy of holies! It is always painful to see how even such an
artist--one of the few great ones--must use his art to gain bread. It
is true, no human being can imagine why he really has to do it. He
needs almost nothing for himself. And, since he stands quite alone in
the world--to be sure, though, that needs yet to be proved--his saints
must bring him in a great deal of money. What he does with it, whether
he buries it as the wages of sin, walls it up, or speculates with it on
the Bourse-- But here comes our old factotum with the key. Thank you,
Fridolin. Here is something for your trouble. Drink a measure to the
health of this beautiful lady. What, she pleases you too? To be sure
you have had an opportunity to cultivate your taste, living as you do
among artists."
The flattered old man grinned, attempted to stammer a compliment, and
opened the studio door. Angelica immediately ran up to the "Dancing
Girl" and began to free her from the damp cloths wrapped about her.
Public-domain text, read in full here on John Shaqi.
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