China -- History -- Revolution, 1911-1912 -- Fiction; Love stories; River boats -- Fiction; Yangtze River (China) -- Fiction
“I will send for her,” he said now, slowly. “I will give her into your
keeping. At my command she will _go_.”
“No, Your Excellency, I have already sent word to her to prepare herself
for the journey. Again you must forgive me. Time presses. It remains
only to collect the paintings. You must have those, at the least. We
start now in a very few moments. I have found here, a prisoner in your
palace, the master of a junk that lies at the river bank, and have taken
it upon myself to detain him further. He will convey us to Shanghai. It
is now but a few hours before dawn. Hostile soldiers stand impatient at
the outermost gate, eager to heap shame upon you and all that is yours.
You must change your clothing--the dress of a servant would be best.”
He waited, standing very still.
“You will forgive indecision in a man of my years,” began the viceroy.
After a moment he began again: “The world has turned upside down,
Griggsby Doane.”
“You will come?”
The viceroy sighed. Trembling fingers reached out to gather the papers.
“I will come.” he said.
Adrift in unreality, fighting off from moment to moment the drowsy sense
that these strange events were but a blur of dreams in which nothing
could be true, nothing could matter, Rocky found himself at work in a
dim room, taking down in great handfuls from shelves scrolls of silk
wound on rods of ivory and putting them in lacquered boxes. Mr. Doane
was there, and the servant, and a second servant of lower class, in
ragged trousers and with his queue tied about his head. Still another
Chinese appeared, shortly, in blue gown and sleeveless short jacket;
an older man who looked, in the flickering faint light of the single
lantern, curiously like the viceroy himself. The first servant
disappeared and returned with the short poles of bamboo used everywhere
in China in carrying burdens over the shoulder, and with cords and
squares of heavy cotton cloth.
Every bit of woodwork that his hands touched in moving about, Rocky
found to be intricately carved and gilded and inlaid with smooth
lacquer. And dimly, crowded about the walls, he half saw, half
sensed, innumerable vases, small and large, with rounding surfaces of
cream-colored crackle and blood-red and blue-and-white and green which
threw back the moving light like a softly changing kaleidoscope. And
there were screens that gave out, from their profound shadows, the glint
of gold.
Public-domain text, read in full here on John Shaqi.
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