China -- History -- Revolution, 1911-1912 -- Fiction; Love stories; River boats -- Fiction; Yangtze River (China) -- Fiction
“It is safe to say, Mr. Kane”--Doane was remembering experiences of
men in church and educational work who had had to approach the great
capitalists for gifts of money--“that you could sell half the paintings
for what you might pay for the two collections at this time. That would
enable you to give the other half, as a collection bearing your own
name, to one of the art museums at home, at no cost to yourself.”
Kane smoked thoughtfully. “I presume, Mr. Doane,” he said, “that the
predicament you spoke of can not interfere in any way with the safe
delivery of the collections.”
Doane considered. How much did this man know? That Japanese, behind his
mask of a smile, would be deep, of course. With a sudden sinking of the
heart, Doane perceived that Kane might easily know the whole story. But
even if he did he would admit nothing. He trusted no one; that was his
calm cynical strength. He would trade to the last.... Another swift, if
random, perception of this tense moment was that much of the common talk
regarding the “inscrutable” East was utter nonsense. Read in the
light of history and habit the Oriental mind was anything but deeply
mysterious; it was, indeed, very nearly an open book. Whereas the
Western mind, with its miraculous religion, its sentimentality and
materialism and (at the same time) its cynically unscrupulous financial
power, could be baffling indeed.
Desperate now, seeing no other way through, Doane spoke out from his
tortured heart. “Mr. Kane, the simple fact is that his excellency has
been condemned to death, and his daughter to a fate that will
almost certainly end in death for her as well. They are seizing his
property....”
“Who are they?”
“The Imperial Government--the empress dowager and her crew. They are
sending the chief eunuch, Chang Yuan-fu, to take his paintings and
jewels, and his daughter, to Peking. Frankly, it may be necessary to
hurry matters--smuggle the things out. But the fan paintings can be
packed in parcels, the scrolls rolled small on their ivory sticks, the
jewels gathered in a few boxes. Once in white hands they would be safe.
I think. I believe I can arrange it. The porcelains and carvings you
would probably have to leave behind.”
His voice died out. Dawley Kane was coolly appraising him. Their minds
were not meeting.
“As you are stating it now, it is a different situation altogether,”
said Kane, the ring of tempered metal in his voice. “Obviously the man
to deal with is the eunuch, What's-his-name.”
“But--really--”
“He would have the collections complete including the porcelains and the
carvings. I should want them all. He would be ignorant and corrupt, of
course; we could buy him for a song. And there would be no risk. Yes,
let him get possession. Then if you would like to approach him for me I
will be glad to see that you make something for yourself.”
Doane drew in his breath. Slowly he said: “But that, Mr. Kane, seems a
good deal like taking a profit out of the viceroy's misfortune.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account