China -- History -- Revolution, 1911-1912 -- Fiction; Love stories; River boats -- Fiction; Yangtze River (China) -- Fiction
“I can't do it.” he panted. “They've just told me--Kato and the
pater--about this terrible trouble of the viceroy's and--and Miss
Hui Fei's.... The pater said it was time I--got clear of any new
entanglement. I quit him. Oh, I suppose you'll think me a--damn fool,
but”--at this point he nearly broke into tears--“but I love that
girl, Mr. Doane! If I can't be of some use to her--now, in this awful
trouble--I don't want to live. Will you--help me? And let me help?”....
And, all blind confidence, he offered his hand to the big mate; who took
it.
The gunboat hoisted anchor and swung about, heading down-stream. Passing
her, upward bound, came a large junk, with the rig of a trader from
Szechuen, her single huge rectangular sail, brown-umber 'n tint and
closely ribbed with battens of bamboo, flat against the one mast that
towered clumsily amidships. The eight long sweeps, in the low waist and
forward, moved rhythmically in time with the syncopated, wailing chant
of nearly a hundred oarsmen. The _tai-kung_ crouched, bamboo pole in
hand, just within the prow.
The hull was of cypress, stained from stem to stern with yellow orpiment
and rubbed to a polish with oil. The high after-deck structure, all of
fifty feet in length, terminating in a projecting gallery-twenty feet or
higher above the water, was carved everywhere in intricately decorative
designs; as were, also, the roof over the tillerman's stand on the
deck house and the gallery railing (just within which stood a row of
flowering plants in yellow and green pots). The many small windows along
the sides were glazed with opalescent squares of ground oyster shells
and glue; those across the stern (under the gallery) with stained glass.
To no one aboard the gunboat or among the still waiting groups on the
bank did the thought occur that this craft might be engaged in other
than peaceable business. Her like were not an uncommon sight along the
always crowded river. The passing attention she drew was merely that
aroused by a richly decorative object moving beautifully (with a
remarkably detailed reflection) through the flat water, that itself
glowed under the red and gold of the early morning sky like a great
sheet of burnished old copper. It was not observed that three white
faces peered warily out of the shadow, behind as many opened windows;
nor could it easily be seen that the figure in blue, sitting, knees
drawn up, on the deck house just behind the _laopan_ who mercilessly
urged on the sweat-shining oarsmen, was none other than the redoubtable
Tom Sung.
CHAPTER VIII--ABOARD THE YELLOW JUNK
Public-domain text, read in full here on John Shaqi.
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