The next moment Miss Featherstone had thrown her arms around Annie
Brunel’s neck, and was kissing her and calling her "My dear" with that
profusion of sentiment which most actresses love to scatter over the
object, _pro tem._, of their affection. Miss Featherstone was attired
in a green silk dress—in many a love-scene had _that_ rather dingy piece
of costume figured, on the stage and elsewhere—a blue cloth jacket, a
white hat with a scarlet feather, and yellow gloves. During this
outburst of emotion, Mr. Melton had caught sight of a young gentleman—to
whom he gave thirty shillings a week in order that he might dress as a
gentleman should, and always have a good hat to keep on his head while
walking about in a drawing-room—who had been in pursuit of Miss
Featherstone, and who now sneaked away in another direction.
"And so you’ve come back, my dear, and none of the German princes have
run away with you! And how well you look! I declare I’m quite ashamed
of myself when I see the colour in your cheeks; but what with
rehearsals, you know, my dear, and other troubles——"
She heaved a pretty and touching sigh. She intimated that these
quarrels with the young gentleman who escorted her to and from the
stage-door—quarrels which came off at a rate of about seven per
week—were disturbing the serenity of her mind so far as to compel her to
assist nature with violet-powder and rouge.
"Do you know, my dear," she said, in a whisper that sent Mr. Melton away
on his own business, "he swears he will forsake me for ever if I accept
a part in which I must wear tights. How can I help it, my dear? What
is a poor girl to do?"
"Wear trousers," said Annie Brunel, with a smile.
"Nothing will please him. He would have all my comic parts played in a
train half a mile long. At last I told him he had better go and help my
mother to cut my skirts and petticoats of a proper length; and he
pretended to be deeply hurt, and I haven’t seen him since."
Then she tossed her wilful little head with an air of defiance.
"He will write to me before I write to him."
"It is too cruel of you," said her companion.
"Yes, my dear, you may laugh; but you have no burlesque parts to play.
And you have nobody sitting in the stalls watching your every movement,
and keeping you in a fright about what he is thinking of you."
"No," said Annie Brunel, rather absently, "I have nobody to watch me
like that. If I had, I should not be able to go upon the stage, I
think."
"And the bitter things he says about the profession—and particularly
about Mr. Gannet, and Mr. Marks, and Mr. Jobson—all because they are
young men, and he fancies they may be so polite as to lift a glove for
me if I let it fall. You know, my dear, that _I_ don’t encourage them.
If there’s any fun at rehearsal, you know that _I_ don’t begin it."
"When we met you just now——"
Public-domain text, read in full here on John Shaqi.
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