"It’s Diana Vernon she means," said Mrs. Christmas, with a pretty little
laugh; "that she used to play before she became a grand lady. And play
it she did, Count, take my word for it, as well as ever you could think
of: and as for me, I never _could_ understand how she so hated the part,
which is a a very good part for a young miss that can sing. I declare
the dialogue is quite beautiful."
Here she gave, with great feeling and correct, impassioned emphasis,
some passages in which the Diana and Francis of that ridiculous drama
talk bombastic sentiment to each other, causing Miss Brunel to laugh
until the tears ran down her cheeks.
"You may laugh as you like, Miss Annie, but it’s a beautiful piece; and
how many years is it since you played it for my benefit?"
"You’re making me quite old, Lady Jane," protested the young actress.
"People have only to look at you, my dear," continued the bright little
old woman, "and they won’t make a mistake. That was the very last time
I went on the stage, Count; and do you know what I played?—why, ’Miami’
in the ’Green Bushes.’ And Miss Annie, here, just to please me,
consented to play ’Nelly O’Neil,’ and, will you believe me, Mr. Anerley,
I stood in the wings and cried—me, an old woman, who had heard it all a
thousand times—when she began to sing the ’Green Bushes.’ Have you
heard it, Count?—don’t you know the words of it?
"’As I was a-walking one morning in May,
To hear the birds singing, and see lambkins play,
I espied a young damsel, so sweetly sung she,
Down by the Green Bushes, where she chanced to meet me."
There was Polly Hastings—she played ’Geraldine’ then—came to me after
that last night, and said, solemnly, that she would give herself over to
the devil if he would only make her able to sing the ballad as Miss
Annie sung it that night. The people in the pit——"
"Mrs. Christmas will go on romancing all the evening, Mr. Anerley, if
you don’t stop her," said Miss Brunel.
"And poor Tom Mulloney—he played ’Wild Murtogh’ for me—do you remember,
Miss Annie, that morning at rehearsal when they came and told him that
his wife and the little boy were drowned? He didn’t speak a word—not a
word; he only shook a little, and was like to fall; then he walked out,
and he was never on the boards of a theatre again. He took to drinking
as if he was mad; and he was put in an asylum at last; and they say he
used to sing all his old songs at the amateur concerts in the place, you
know, better nor ever he had sung them in the theatre—that was ’The
Dance on the Flure,’ and ’The Jug o’ Punch,’ and ’Savourneen Deelish,’
and ’The Coulin’——"
"The Coulin!" said Will, with a sort of chill at the heart; he had
forgotten all about Dove, and St. Mary-Kirby; and the remembrance of
them, at that moment, seemed to reproach him somehow.
"Do you know ’The Coulin’?" asked Miss Brunel, wondering at his sudden
gravity.
Public-domain text, read in full here on John Shaqi.
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