In Sunny Spain with Pilarica and RafaelBates, Katharine Lee
General
In Sunny Spain with Pilarica and Rafael
Bates, Katharine Lee
Children -- Spain -- Juvenile literature
The other children stared and one tall, sullen-faced girl rudely threw
the shoe back to Pilarica.
“Because we don’t have golden cups and fairies in Galicia to hunt,” she
said, “and we do have rats. That’s sense, isn’t it? But take your old
shoe. We don’t want it.”
“These are not old shoes, yet,” replied Pilarica with untroubled
sweetness, “because their eyes are shut.”
“Do you mean anything by that?” demanded the sullen-faced girl.
Pilarica put on the rat-shoe, curling her toes with a shiver of disgust,
stretched out her feet and sang:
“Two little brothers
Just of a size;
When they get to be old folks
They’ll open their eyes.”
“Mine are wide open,” lisped a midget beside her, tumbling over on his
back that he might the better hold up his ragged footgear to the public
gaze, but as most of the children were barefoot, the subject was allowed
to lapse.
The morning session was half over, as you could see by looking down that
row of child faces. Half of them had been washed, and the other half
evidently not. Pilarica was one of some five, out of the fifty, that
came clean and tidy from home. The teacher, a white-headed grandmother,
with a poppy-red handkerchief twisted into a horn over each temple, now
appeared scuffling around the corner of the church on her knees, with
loud puffings and groanings. She had a hard vow to fulfil,--to go
seventy times around the outside of the church on those rheumatic
joints, and the gravel was cruel; but she tried to make one circuit
every day. Bowing her white head and kissing the lowest step of the
porch, she dragged herself up and, sitting down on the alabaster
fragment of a long-since-shattered statue, clucked for her pupils to
gather round her as a hen would call her chickens.
“We will leave the rest of the faces till afternoon,” she announced.
“Some of you may rub my knees, and Pilarica may have her doll and drill
you in the scales.”
The shrewd old mistress had discovered that Pilarica was possessed of a
little musical knowledge, thanks to Grandfather and his guitar, and so
allowed her to bring her doll, essential to the lesson, to school; but
its Paris wardrobe and Granada countenance had suffered so much in
Galician handling that dolly was now regularly placed, for safe keeping,
between the jaws of a stone griffin above the porch. The biggest boy had
the daily privilege of climbing up and depositing it there, and the old
dame’s rod would knock it out again to be caught in Pilarica’s anxious
arms. Battered and tattered as the doll had become under this severe
educational process, it was dearer to Pilarica than ever, and she
clasped it tight as, standing before the children, she sang in that
clear, fresh voice which even the sullen-faced girl gladdened to hear:
Public-domain text, read in full here on John Shaqi.
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