In Sunny Spain with Pilarica and RafaelBates, Katharine Lee
General
In Sunny Spain with Pilarica and Rafael
Bates, Katharine Lee
Children -- Spain -- Juvenile literature
They found her before the so-called Porch of Paradise, or Gate of Glory,
one of the supreme works of Christian art. Pilarica was never weary of
gazing at it. What was once an outside portico, most richly and
exquisitely chiselled, is now enclosed at the west end of the church. It
represents Christ enthroned among the blest, a multitude of vivid saints
whose faces glow with fullness of joy. On the central shaft of the
pillars that support the arches of this celestial doorway is a curious
group of slight dents in the agate, where, tradition says, Christ,
descending from His bliss above, placed His wounded hand. Pilarica had
been guiding an old blind peasant to this sacred column, helping the
groping fingers find their way to that strange impress, for all Galicia
believes that a prayer offered with the hand placed here is sure of
answer. When the grateful peasant had been led, as he requested, to the
nearest confessional, Pilarica ran back to see the hand of Dolores set
against the shaft, while tears rained down the girl’s wan cheeks as she
prayed for her lover of whose death in prison vague rumors had floated
home.
“Let us ask for Father and Big Brother to come back,” blithely proposed
Pilarica to Rafael. “God might listen better if we asked for one at a
time. I’ll pray for Rodrigo and let you pray for Father.”
The boy’s dark eyes were deep with memory, but after Pilarica, standing
on tiptoe, had fitted her small finger-tips to those five tiny hollows,
worn by faith in the hard marble, his brown hand followed hers.
Rafael tried to pray: “Please, God, bring my Father home,” but a rich,
tender voice rose from the past to check the words,--a voice that said:
“Wish nothing for yourself nor for me but that we may do our duty.” “May
my Father do his duty, dear God,” prayed the boy’s heart in its simple
loyalty, and as he lifted his eyes to the saints in Paradise, their glad
faces answered his wistful look with a strange, sweet fellowship.
Tia Marta gave them hospitable greeting at the cottage, where
Grandfather, over whose mind the mists, dispelled for the time being by
the excitement of the journey, were gradually drifting again, had of
his own impulse taken up his abode. Both Pedrillo, doing unexpectedly
well with the land, and Tia Marta, vastly flattered by Grandfather’s
preference, made him gladly welcome. When Dolores and the children came
in, he was rocking Juanito’s cradle and crooning over it broken lines of
the riddles now fast melting from his memory.
As Pilarica caught up the chubby two-year-old, Dolores quietly drew the
cradle out of Grandfather’s reach, for, as all Galicia knows, to rock an
empty cradle is an omen of ill to the baby who is next put into it.
Pilarica was pinching, one by one, Juanito’s wriggling toes:
“What a family! One is tall;
Two are shorter than that;
And there is one that is weak and small,
And one exceeding fat.”
Then Baby Bunting had a chance to show off his accomplishments.
Public-domain text, read in full here on John Shaqi.
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