In the Andamans and Nicobars: The Narrative of a Cruise in the Schooner "Terrapin"Kloss, C. Boden (Cecil Boden)
History
In the Andamans and Nicobars: The Narrative of a Cruise in the Schooner "Terrapin"
Kloss, C. Boden (Cecil Boden)
Andaman and Nicobar Islands (India) -- Description and travel; Natural history -- India -- Andaman and Nicobar Islands
Before these pigs are killed it is customary for young men to wrestle
with them, and many of them are often so severely gored by the long
tusks of the animals that they have to be carried away in litters.
This portion of the festival is called _Yeng Awn_--the great boar--for
each of the animals which are dedicated to the purpose is looked on as a
sacred creature, and is offered as a sacrifice in token of the last head
of the family who died.
From the remaining portions of pork they separate the fatty part and
prepare lard from it by pounding it in a wooden mortar and boiling it
down in an earthen vessel. This lard is preserved in coconut shells and
eaten with meals like butter. A few shellsfull are presented to those of
their friends who have assisted them. This portion of the ceremony is
called _Wanaka Kuv_ (making lard), and with the immediately preceding
stage lasts for four or five days. Then commences the ceremony of _Kisu
ta el pati_, during which all the decorations of the houses are removed,
and dancing and singing take place inside. This is done in order to
purify the house.
Next, the practice of _Tanang alah_ (prevention) takes place; and
throughout the day the people busy themselves covering the houses and
huts in _Elpanam_ with green coco-palm leaves, to prevent pollution by
the disinterred bones of next day's proceedings. They take their supper
in _Elpanam_, and dance there all night.
At this point, the climax of the whole is reached in _Anúla Kopáh_, or
_Ula Kopáh_ (digging the graves). The women, children, and others stand
at a distance from the graveyard, and one or two of the adults belonging
to each of the houses commemorating, open the respective graves, remove
the bones, and throw them in an adjoining bush called _Tam n'gi
Kopáh_[207]--burial-place of bones (ossuary). But they replace in the
graves the skulls of respected people or heads of families, and after
refilling the holes with earth, place over them the new _kuimitila_ or
_kare-yeng-chón_ (headstones). Before the skulls are replaced, however,
they are sprinkled with the blood of fowls and young pigs.
The men who break open the graves are termed _takkuwi_ (polluted) and
when all is over they bathe in the sea, and then spend the night in the
"house of pollution," after a period of feasting and dance in the
_Elpanam_, called _Kiriam Anúla_ (digging dance).
Two or three days later the coco-palm leaves are removed from
the houses at _Elpanam_, and another performance is held called
_Kiriam-nga-rit-roi-ta-oka_ (dance for clearing up coconut rubbish).
Next morning sports and a little wrestling take place.
Finally, the people invite some of the _mafais_ of adjacent villages to
give a performance, and entertain them with gifts and feasting. This
ceremony is called _Afai tapoia_, or _Mafai tapira_--grand _mafai_
dance. When it is concluded some other village is challenged to a canoe
race, and a dance and feast follow. With this ends the festival of _Kana
Awn_.
Public-domain text, read in full here on John Shaqi.
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