In the Andamans and Nicobars: The Narrative of a Cruise in the Schooner "Terrapin"Kloss, C. Boden (Cecil Boden)
History
In the Andamans and Nicobars: The Narrative of a Cruise in the Schooner "Terrapin"
Kloss, C. Boden (Cecil Boden)
Andaman and Nicobar Islands (India) -- Description and travel; Natural history -- India -- Andaman and Nicobar Islands
A person may at the first stage of his recovery from a severe and
long-standing illness, or an attack of delirium, inform his relatives
that he has received a revelation, and therefore desires to become a
_mafai_. This is communicated to the _tamiluanas_, and they, as well as
other elderly people of the village, assemble in his house, and after
making a formal examination, pronounce the verdict, _tafuknu
chuat_--"sunken eyes."
A preliminary ceremony is then performed, called _Hanata_--"adorning the
invalid." They spread round his couch "devil-expelling" leaves from
_Mal_,[209] and decorate the cane wall of the house, at his side, with
festoons, tassels, beads, wire, garlands, etc., placing near him spoons,
forks, and other electro-plated ware, with a few bottles of toddy.
They twist silver wire about his neck, arms, and legs, and adorn him
with necklaces, tassels, breastplate, and armlets, made of silver coins,
and then place him in a large decorated chair with a Chinese straw hat
on his head. A silver-handled stick (sceptre of the _tamiluana_) and a
small dagger to kill the devil are given him, together with a bottle of
toddy, furnished with a hollow reed to suck the liquid through.
He is now proclaimed a _mafai_, and information is sent to his friends
and relatives in other villages, who all come with presents to see the
holy man.
From this time forward, until he is thoroughly recovered, the people of
his village, with other friends and relatives, provide his food and
other necessaries by turns. This they do on a liberal scale.
There is a performance every night in the village, lasting till
midnight, during which he sits on a chair in the midst of the ring of
dancers, whom sometimes he may join. This exercise is to increase his
strength, and he is freely supplied with toddy, as it is considered a
tonic.
From time to time his neighbours take him, sometimes spontaneously and
sometimes by invitation, from house to house and village to village, in
procession, and give performances. _Ai-yu-a-kare_ is one of these, and
means "going to a feast adorned with jewels."
He never walks, but is always carried in a _kantéra_ (chair), which in
shape resembles a palanquin, covered with chintz and decorated with
spoons, forks, and soup-ladles. The chair is borne by a dozen strong
men. The spectacle of a returning _mafai_ and his party is extremely
comical, for, besides being fatigued by the night's exertions, every one
is completely intoxicated.
The people venerate the _mafai_ exceedingly, and take him at midnight to
the sick, that he may heal them by touch or by shampooing, when he
pretends to extract gravel and stones from the bodies of the invalids.
So matters continue until the _mafai_ considers himself strong enough to
work for his living, when, with the approval of the _tamiluanas_, he
resigns his _mafai_-ship in a final ceremony called _Luinj-lare
Mafai_--undressing the _mafai_.
Public-domain text, read in full here on John Shaqi.
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