"We don't want to make any scene here," he said very low. "We want to
do it up as quietly as we can. There might be some mistake, you know,
and then you'd be sorry. So should we. I hope you'll be reasonable
and it'll be all the better for you because--"
"What are you talk--what--" I looked from him to the other fellow
behind us.
He leaned a bit farther forward then, and pulling his coat partly open,
he showed me a detective's badge. And the other man quickly did the
same.
I sat back in my chair. The fat star on the stage, with her big mouth
and big baby-face, was doing a cake-walk up and down close to the
footlights, yelling the chorus of her song.
I'll never mimic that song, Mag, although I can see her and hear it as
plain as though I'd listened and watched her all my life. But there's
no fun in it for me. I hate the very bars the orchestra plays before
she begins to sing. I can't bear even to think of the words. The
whole of it is full of horrible things--it smells of the jail--it looks
like stripes--it ...
"You're not going to faint?" asked the man, moving closer to me.
"Me? I never fainted in my life... Where is he now--Tom Dorgan?"
"Tom Dorgan!"
"Yes. I was sure I saw him sail, but, of course, I was mistaken. He
has sent you after me, has he? I can hardly believe it of
Tom--even--even yet."
"I don't know anything that connects you with Dorgan. If he was in
with you on this, you'd better remember, before you say anything more,
that it'll all be used against you."
The curtain had gone down and gone up again. I was watching the star.
She has such a boyish way of nodding her head, instead of bowing, after
she waddles out to the center; and every time she wipes her lips with
her lace handkerchief, as though she'd just taken one of the cocktails
she makes in the play with all the skill of a bartender. I found
myself doing the same thing--wiping my lips with that very same
gesture, as though I had a fat, bare forearm like a rolling-pin--when
all at once the thought came to me: "You needn't bother, Nancy. It's
all up. You won't have any use for it all."
"Just what is the charge?" I asked, turning to the man beside me.
"Stealing a purse containing three hundred dollars from Mrs. Paul
Gates' house on the night of April twenty-seventh."
"What!"
It was Obermuller. He had pushed the curtains aside; the crashing of
the orchestra had prevented our hearing the clatter of the rings. He
had pushed by the man standing there, had come in and--he had heard.
"Nance!" he cried. "I don't believe a word of it." He turned in his
quick way to the men. "What are your orders?"
"To take her to her flat and search it."
Obermuller came over to me then, and took my hand for a minute.
"It's a pity they don't know about the Gray rose diamond," he
whispered, helping me on with my jacket. "They'd see how silly this
little three-hundred dollar business is.... Brace up, Nance Olden!"
Public-domain text, read in full here on John Shaqi.
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