In the brush : $b or, Old-time social, political, and religious life in the southwestPierson, Hamilton W. (Hamilton Wilcox)
History
In the brush : $b or, Old-time social, political, and religious life in the southwest
Pierson, Hamilton W. (Hamilton Wilcox)
Missions -- Southwest, Old; Southwest, Old -- Social life and customs
In their religious gatherings the best singer among them was always
the leader of the meeting. They usually commenced their services by
singing some hymn that they had committed to memory; but the leader
always gave out this hymn, one line at a time, in a sing-song tone,
much like a chant, and then the audience sang the line he had given
out, and so went through the hymn. As the meeting progressed, and their
feelings became deeper and deeper, and the excitement rose higher and
higher, they at length reached a state of tender or rapturous feeling
to which no hymn with which they were familiar gave expression. At
this point the leader sang from his heart, or, as musicians say,
improvised, both the words and music of a single line. The audience
then sang that line with him, as they had sung all the preceding hymns.
He then improvised another line, and another, and they sang each one
after him, until he had improvised one of those plantation melodies,
which, as they gave expression to the glowing hearts of those who first
sang them, so, when they have been repeated, they have touched the
universal heart. When thus "born," no such words or music were ever
forgotten by the leader. It was sung over and over again at succeeding
meetings, until some other melody was in like manner improvised, to
meet another and perhaps a higher state of religious enthusiasm. In my
visits to hundreds of different plantations and congregations, I have
heard a great variety of these plantation melodies. Many of them, that
were inexpressibly tender and beautiful, were never heard beyond the
immediate neighborhood in which they were first sung, and will never be
reproduced, unless it be among the songs of the redeemed in heaven.
But to return to this midnight funeral. The appearance of such a
procession, winding through the fields and woods, as revealed by their
flaming torches, marching slowly to the sound of their wild music, was
weird and imposing in the highest degree. This procession was to pass
immediately by our door, but, in order to get a fuller view, a small
company of us went out a short distance to meet them. We saw them and
heard their music in the distance, as they came down a gentle descent,
crossed over a small stream, and then marched on some time in silence.
As they came near where we stood, we heard their leader announce in the
sing-song, chanting style I have already described, the words--
"When I can read my title clear;"
and that long procession, with their flaming fat-pine torches, marched
by us with slow and solemn tread, singing that beautiful hymn to the
tune of "Ortonville." We followed to the place of burial, listened
to their songs and addresses at the grave, and witnessed all the
ceremonies to the close. From first to last the scene was impressive
beyond description.
Public-domain text, read in full here on John Shaqi.
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