In the Claws of the German EagleWilliams, Albert Rhys
History
In the Claws of the German Eagle
Williams, Albert Rhys
World War, 1914-1918 -- Personal narratives
After these elaborate defensive works the Belgians laughed at any
one taking Antwerp, the impregnable fortress of Western Europe.
The Germans laughed, too. But it was the bass, hollow laugh of
their great guns placed ten to twenty miles away, and pouring into
the city such a hurricane of shell and shrapnel that they forced its
evacuation by the British and the Belgians. Through this vast array
of works which the reception committee had designed for their
slaughter, the Germans came marching in as if on dress parade.
A few shells were even now crashing through Malines and had
played havoc with the carillon in the cathedral tower. During a lull
in the bombardment we climbed a stairway of the belfry where,
above us, balanced great stones which a slight jar would send
tumbling down. On and up we passed vents and jagged holes
which had been ripped through these massive walls as if they
were made of paper. It was enough to carry the weight of one's
somber reflections without the addition of cheerful queries of the
movie-man as to "how would you feel if the German gunners
suddenly turned loose again?"
We gathered in a deal of stone ornaments that had been shot
down and struggled with a load of them to our car. Later they
became a weight upon our conscience. When Cardinal Mercier
starts the rebuilding of his cathedral, we might surprise him with
the return of a considerable portion thereof. To fetch these
souvenirs through to England, we were compelled to resort to all
the tricks of a gang of smugglers.
I made also a first rate collection of German posters. By day I
observed the location of these placards, announcing certain death
to those who "sniped on German troops," "harbored courier-
pigeons," or "destroyed" these self-same posters.
At night with trembling hands I laid cold compresses on them until
the adhering paste gave way; then, tucking the wet sheets
beneath my coat, I stole back to safety. At last in England I feasted
my eyes on the precious documents, dreaming of the time when
posterity should rejoice in the possession of these posters relating
to the German overlordship of Belgium, and give thanks to the
courage of their collector. Unfortunately, their stained and torn
appearance grated on the aesthetic sensibilities of the maid.
"Where are they?" I demanded on my return to my room one time,
as I missed them.
"Those nasty papers?" she inquired naively.
"Those priceless souvenirs," I returned severely. She did not
comprehend, but with a most aggravatingly sweet expression said:
"They were so dirty, sir, I burned them all up."
She couldn't understand why I rewarded her with something akin
to a fit of apoplexy, instead of a liberal tip. That day was a red-letter
one for our photographers. They paid the price in the risks which
constantly strained their nerves. But in it they garnered vastly more
than in the fortnight they had hugged safety.
Public-domain text, read in full here on John Shaqi.
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