Mountain life -- Tennessee -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“Now didn’t the attorney-general stuff you as full of lies as an egg
of meat!” cried the young lawyer, divided between admiration of the
attorney-general’s resources and contempt for their credulity.
“Ye air the only folks in Cherokee County ez b’lieves sech,” said another
by-stander. “Old man Griff an’ all his gran’chil’n lef town yestiddy
evenin’ plumb sati’fied Tad’s alive, an’ goin’ ter hunt him up. An’ then
I reckon the old man’ll furgit all about his repentance, an’ club an’
beat him same ez he always done.”
“Waal,” demanded the ex-foreman, who was disposed to maintain the
difficulty of the question, “how could a idjit keer fur hisself all this
time?”
“Tad never war sech a idjit; could run a mill, an’ plough, an’ pull
fodder, an’ feed stock! I’ll be bound thar’s a mighty differ round old
man Griff’s diggins now, sure. He ’peared a idjit mos’ly when he war beat
over the head. Mos’ folks would look miser’ble then. He air lackin’, I
know, but I reckon he kin work fur hisself ez well ez he done fur old
man Griff. It’s a plumb shame ter jail Mink Lorey fur fower month more
till he kin git another fool jury ter try him, an’ mebbe send him ter the
Pen’tiary fur five year. I dunno what oughter be done ter sech a jury ez
you-uns.”
It was probably well for the public peace that events of general interest
had taken place during the seclusion of the jury which the by-standers
found a certain gloomy satisfaction in detailing; their attention was
thus readily enough diverted from the disagreements of the jury-room
to the circumstances of Peter Rood’s funeral,—who preached the sermon,
and who were in attendance. They all sat, solemnly chewing, tilted back
in their splint-bottomed chairs on the front gallery of the little
hotel. The lights which came from the doors and windows of the building,
slanting out in wide shafts, seemed to sever the gloom in equal sections.
The figures of the men were dimly seen in the dusky intervals. The stars,
in infinite hosts, were marshaled in the black sky, for the moon was
late to-night. Only about the horizon were melancholy desert spaces. The
summit line of the distant mountains was indistinguishable in the gloom.
The landscape was all benighted. The presence of invisible trees close
at hand was perceptible only to some fine sense of the differing degrees
of density in the blackness. A horse trotted through the slant of light,
falling into the road and showing the sleek roan of the steed and the
impassive face under the drooping hatbrim of the rider,—then loomed an
indeterminate centaur in the alternate glooms. The sounds of the town
were shrill, then faint, with lapses of silence. One forlorn cricket was
piping somewhere between the bricks of the pavement.
“’Pears ter me,” said Bylor, “toler’ble cur’ous ez they wagoned
deceased”—he had adopted the word from the reports of the sermon—“way up
yander ter Eskaqua Cove, ter be buried in the graveyard thar.”
Public-domain text, read in full here on John Shaqi.
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