Mountain life -- Tennessee -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Its current was placid enough when the train was safely on the other side
at a stand-still, and the people from the little log-cabin below climbed
the embankment to hear the cause of the unprecedented stoppage. The
bridge did not break on this occasion, but the old man is very sure they
cannot do this “fool trick” again.
Although the train waited for a time while the banks of the river were
patrolled, it was gone clanging on its way long before the rocks had
ceased to echo the tramp of excited horsemen and their hoarse cries, as
they beat the bushes in the neighboring woods, for the whole country-side
was roused. The opinion that the reckless young mountaineer had, in
leaping into the river, struck against some floating log, and had been
killed by the concussion, or had gone to the bottom among the bowlders
with a fatal force, gained ground as the day gradually dawned and no
trace of him was detected.
By degrees the search degenerated into the idler phases of morbid
curiosity. Many people visited the spot, ostensibly to join in the
effort, who stared at the bridge and speculated on its height, and
strolled up and down the banks, wondering futilely. Even when the sunset
was reddening the river; when the evening star was tangled in the boughs
of a white pine on the bank; when the sound of lowing kine was mellow on
the air; when the bridge doffed its massive aspect, and became illusory,
a shadow not more material than its shadow in the current below,—footing
for the moonbeams, lodgment for the dew, a perch for a belated bird,
familiar of the mist,—vague figures still lingered about the water-side,
and raucous voices grated on the evening air. But at last the darkness
slipped down; the train came and went; silence fell upon the river, save
for its own meditative, iterative voice, the croaking of frogs, and
the exquisite melody of the mocking-bird, as he sang in the slant of
the moonbeams glistening through fringes of the pines. A wind rose and
died away. The night was inexpressibly solitary. Far off a dog howled.
The constellations imperceptibly tended westward. And presently, in
the dark loneliness of the dead hour, something,—an otter, a musk-rat,
a mink?—some stealthy wild thing, stirred itself at the water’s edge,
beneath a broad ledge of the jagged, beetling rocks along the bank, under
the current, on the gravelly shallows. It made much commotion; the water
receded in widening circles far out toward the middle of the river,—a
scramble, a stroke or two, and it rose to its full height, and waded to
the shore; for it was the battered image of a man. He wore no hat; his
long locks hung in straight wisps down upon his shoulders. He glanced
about him continually with fearful eyes, as he hobbled stiffly up the
bank. Once he sat down on the roots of a tree in the shadow, and essayed
to draw off the great boots, heavy with water, and hampering his every
motion. But the leather, so long steeped, had swelled, and he could not
divest himself of them.
Public-domain text, read in full here on John Shaqi.
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