In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
It seems that the Emperor's attention had been railed to the many very
disagreeable articles in the newspapers on the subject of the extravagant
_pourboires_ exacted at Compiègne. The Emperor was very much annoyed,
and gave immediate orders to suppress this system, which had been going on
for years without his knowledge.
Last night we stayed in Paris, to be ready at half-past two this
afternoon. To describe our departure, arrival, and reception would only be
to repeat what I have already written last year. Among the fifty or sixty
guests there were many who were here then. In addition there are Duke
d'Albe, with his daughters; Baron Beyens, the Belgian Minister; Mr.
Mallet, of the English Embassy, Mr. Dué of the Swedish Legation; the poet,
Prosper Mérimée; and many, of course, I do not know.
Singularly enough, we were shown into the same apartment we had before,
which made us feel quite at home. We found tea, chocolate, and cakes on
the table, of which I partook with enthusiasm, and then enjoyed an hour's
rest before dressing for dinner.
We met at seven o'clock in the _Salle des Fêtes_, the only room in this
huge chateau large enough to contain all the party here (I suppose there
must be one hundred and twenty people), for which reason it serves both as
reception and ballroom.
The Empress looked superb in a gown of an exquisite shade of lilac; she
wore her beautiful pearls and a tiara of diamonds and pearls. When she
approached me she held out her hand, and said she was very glad to see me.
The Emperor was kind and gracious, as usual.
The Baron Gourgaud was told to take me in to dinner, and we followed the
procession to the dining-room, passing the _Cent Gardes_, who looked like
an avenue of blue and glittering trees. The Baron Gourgaud and I are
neighbors in the country, their place, La Grange, being not far from Petit
Val. His conversation is not absorbing; but as he knows he is dull he does
not pretend to be anything else. I was thankful for this, as I felt that I
did not need to make the slightest effort to entertain him.
I cast my eyes round the table, and if I had not known that this was _la
série amusante_ I should never have guessed it--every one seemed so
spiritless and "sans le moindre entrain," as my neighbor remarked.
No excitement this evening but the dance. Waldteufel is suppressed! They
say that the Emperor, who has a horror of publicity in private life, was
very displeased last year by the indiscretions and personal anecdotes, and
especially the caricatures made by Gustave Doré, which appeared in the
_Figaro_. The Emperor vowed that no outsiders should be invited again;
therefore poor Waldteufel has to pay _les pots cassés_, and we must make
our own music.
Looking for a substitute for Waldteufel, a clever chamberlain discovered
the "Debain piano" (mechanical piano).
Public-domain text, read in full here on John Shaqi.
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