In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
Her other lover (Pierrot) came in unawares; but she had time to throw a
shawl over Harlequin, who put himself on all fours, thus making a bench,
on which she demurely sat down. In order to throw dust in Pierrot's eyes,
she took from her basket a hammer and some nuts and began cracking them
(to the audience's and Pan's horror) on poor Harlequin's head, eating them
with great _sang-froid_.
Prince Metternich had prudently provided a wooden bowl, with which he
covered his head so that his ambassadorial skull should be spared. Pan
smiled a diabolical smile, and had, of course, a great success.
TALON was the next syllable. This was a sort of pantomime. The actors were
grouped like a picture of Watteau. Count Pourtales was a dancing-master
and was really so witty, graceful, and took such artistic attitudes that
he was a revelation to every one. Prince Metternich (his bosom friend)
exclaimed:
"Who would ever have thought it? How talent conceals itself!"
The whole word PANTALON was a combination of Columbines, Harlequins, and
Louis-Quinze cavaliers dancing in a circle, and all talking nonsense at
once.
The statue of Pan in knickerbockers, his wreaths still on his head and
shoulders, joined in the dance.
The Empress led the vociferous applause, and Prince Metternich came
forward on the stage and said, "Ladies and gentlemen, we are deeply
flattered at your approval. There will be a second performance before his
Majesty, the Emperor of the French, and I hope you will accord us your
patronage."
There was great laughter at this.
Count Pourtales took me in to dinner. We were very glad to be neighbors.
He was resting on his laurels, and I wanted to rest before getting mine
(if I got any) this evening. We exchanged views on nervousness. He said he
had been dreadfully nervous in the afternoon. I told him I was always
nervous when I had to sing, and when I sang the first song I was hot and
cold all over.
"Like Alboni," he said; "she has had to give up singing in opera, she had
such stage-frights."
We thanked each other after finishing dinner for having been kind enough
to have let the other alone.
The rain was still pouring in torrents when we returned to the salon. In
spite of the many voices, we could still hear it pattering against the
windows of the terrace. It was lucky there were some stars among us, as
Monsieur de Lareinty had said, otherwise we would have seen none to-night.
At ten o'clock the "galaxy" went into the _salle de musique_, and the
planets began to shine. First came Baroness Gourgaud, who attacked the
"Mi-bémol Polonaise," of Chopin. Their Majesties settled themselves in
their chairs with a look of heavenly resignation on their faces, which was
reflected on those of most of the guests.
Public-domain text, read in full here on John Shaqi.
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