At the luncheon there were Jacques Blumenthal, the famous pianist and composer, and Arthur Sullivan, who asked me to sing in his little operetta, which some amateurs are rehearsing for a _soirée_ at Lady Harrington's; and on my acceptance he brought the music for me to try over with him the next morning. The _soirée_ was to be three days later. The music is nothing remarkable; in fact, the whole thing (it is called "The Prodigal Son") is not worthy of him. I have not met any of my fellow- performers yet. Forgive this jerky letter; I have been interrupted a thousand times. Charles thinks it is time to go back to Paris; but we have just received an invitation from Baron Alfred Rothschild to spend Ascot week--a _séjour de sept jours_--with a party at a house he has hired for the race-week there, and I could not resist. ASCOT, LONDON, _June, 1870._ DEAR M.,--Viscount Sydney thought that we ought to ask for an audience of the Princess of Wales, and we did it. The audience was accorded, and we presented ourselves at the appointed hour and were received by the lady of honor and shown into the beautifully arranged drawing-room. The Princess was most gracious; she certainly is the loveliest lady I have ever seen. I told her we were going to Ascot for the week, and she said that they were also going there and hoped they would see us. Our interview came to an end, as such interviews do, without anything very interesting happening, and, finally, we backed ourselves out of the royal presence. That evening there was a ball at Lady Waldegrave's, who lives at Strawberry Hill, a mile or so out of London. Baron Alfred Rothschild offered to take us out there in his coach and-four. We dined first with the Baron Meyer Rothschild, and afterward drove out to Strawberry Hill. It is the most beautiful place you can imagine. I never saw anything so grand as the cedar-trees. The cotillon lasted very late; the Duke of Saxe-Weimar talked a long time with me, mostly about music. He is very musical, and knows Liszt intimately, and told me a quantity of anecdotes about him. He was interested in what I told him about Liszt's going to the Conservatoire with Auber and me, and about the "Tannhäuser" overture incident. It was six o'clock when we drove back to London. We saw the milk-carts on their morning rounds and the street-sweepers at work. One felt ashamed of oneself at being in ball-dress and jewels at this early hour, galloping through the streets in a fine carriage, making such a dreadful contrast to the poor working-people. I had great fun at Lady Harrington's musical _soirée_, where Arthur Sullivan's "Prodigal Son" was to be sung.