In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
The evening passed quickly, and I must admit very pleasantly. Any one who
had pretensions to music played or sang, Henry performed some of his
compositions; one officer did some card tricks. They all had an anecdote
of their experience from the past months, which they told with great
relish. Henry whispered to Count Arco: "My sister-in-law sings. Why don't
you ask her for a song?" I could have pinched him!
Although I was very tired and did not feel like it, I reflected that
almost anything was preferable to being begged and teased. And, after all,
why not be as amiable as my companions, who had done their best to amuse
me?
I seated myself at the piano and commenced with one of Schumann's songs,
and then I sang "Ma Mère était Bohémienne," of Massé, which had a great
success, and at the refrain, "Et moi! j'ai l'âme triste," there was not a
dry eye in the little circle. Graf Waldersee, one of the oldest warriors,
wept like an infant while I was singing, and coming up to me, after
blowing his nose, said, in his delightfully broken English, "You zing like
an angle [I hope he meant angel]. It is as if ze paradise vas opened to
us." Then he retired in a corner and wiped his eyes. I sang "Ein Jungling
liebt ein Mädchen," of Schumann, and when I came to the line, "Und wem das
just passieret, dem bricht das Herz entzwei," I heard a mournful sigh. It
came from the Benjamin of the flock, a very young officer, who sat with
his hands over his face sobbing audibly. What chord had I struck? Was
_his_ the heart that was breaking _entzwei_?
I had sung to many people, but I think I never sang to a more appreciative
audience than this one.
Henry accompanied me in "Beware!" Their enthusiasm knew no bounds. They
all gathered around me, eager to thank me for the unexpected pleasure. I
really think they meant what they said.
When I returned to my room I looked out of my window and saw the sentinel
pacing to and fro in the moonlight. I realized _for the first time_ that
the château was protected!
I mourned the beautiful and stately Lebanon cedar!
_March 18th._
It seemed so strange to wake up and find myself in my room. An orderly
brought me a very neatly arranged tray, with tea and buttered toast and a
note from Henry announcing the terrible news that Paris was under arms--a
revolution (_rien que ça_) had broken out, and all approaches to the
city were barricaded. This was news indeed! I understood now why no
carriage came last night, why trains were stopped, why telegraph wires
were cut, and why no mother-in-law appeared.
Henry was waiting to communicate with me as soon as I was out of my room.
Indeed, a more stranded mortal than I was could hardly be imagined!
However, there seemed nothing for me to do but to await events.
The officers met us in the salon, and we discussed the situation and
different possibilities, but without any practical result.
Public-domain text, read in full here on John Shaqi.
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