In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
Finally we spied the _schloss._ It had been a convent in some former
century, and still had iron bars on the windows. We drove through a muddy
lane, passing a sort of barn with grated loopholes, and stopped before a
courtyard filled with chickens and geese; on the left was a pigsty,
smelling not at all like Westphalian hams, and on the other side a cow-
stable. In front was the _schloss_ and the lady of the manor, the
honorable Countess herself, on the steps, quite by chance, so it seemed.
She led us proudly into the salon. A large bunch of keys hung at her
girdle. I wondered why she needed so many! After the coal-bin, wine-vault,
and sugar-bowl, and linen-closet had been locked up, what more did she
need to lock up? There was no mention that the telegram had been received.
Strange!
Count B---- was not there, "but would be coming soon." I felt that I could
wait. The salon was of the kind that one often sees in houses where the
mistress, having no children and plenty of time, embroiders things. Every
possible object had a coat of arms and huge crowns embroidered on it, so
that you could never forget that you were in the house of ancient
nobility, which had the right to impose its crowns on you. All the chairs,
tables, sideboards, and things on the walls were made out of the horns of
stags and other animals the Count had shot. Sometimes the chairs were
covered with the skin of the same, minus the hair, which was missing and
moth-eaten in spots.
I was taken up-stairs to my bedroom, and I was thankful to see that the
horns and crowns had nearly given out before they finished furnishing the
first story, and that I had an ordinary middle-class chair to sit on.
There were many pictures of Madonnas and saints, from which I inferred
that our hosts were Catholics, and a _prie-dieu_, which, strange to say,
was made of horns; and the mat in front of my bed was a blaze of the
united coats of arms and _two_ crowns! So she was a Countess born, which
accounted for the doubleness.
We were obliged to make _le tour du propriétaire_, and, of course, as
there was no other place to take us to, we went to the stables. There we
admired the two cows (Stella and Bella) with horns. They had their names
painted in blue and white over their respective heads, but they had no
crowns.
Then the Count appeared in very nice clothes. I fancy, while we had been
admiring Stella and Bella, he had been changing his boots. Owing to these
fresh boots we were spared the pigsties. On our return to the house
Countess B---- said, "You know, we don't dress for dinner." I thought with
dismay of my trunk laden with all its superfluous contents, and what a
bore the bringing of it had been, and the opinion my maid would pass on
our noble hosts, who "don't dress for dinner," when she unpacked the
undisturbed finery which she had thought indispensable.
Public-domain text, read in full here on John Shaqi.
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