In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
The next day being Sunday, I sang in the little church (Catholic, of
course, as Westphalia is of that religion). The organist and I had many
rehearsals in the _schloss,_ but none in the church, so I had never
made acquaintance with the village organ. If I had, I don't think I should
have chosen the _Ave Maria_ of Cherubini, which has a final amble with the
organ, sounding well enough on the piano; but on that particular organ it
sounded like two hens cackling and chasing each other. I had to mount the
spiral staircase behind the belfry and wobble over the rickety planks
before reaching the organ-loft. Fortunately, Count Metternich went with me
and promised to stay with me till the bitter end; at any rate, he piloted
me to the loft. The organ was put up in the church when the church was
built, in the year Westphalia asserted herself, whenever that was; I
should say B.C. some time. It was probably good at that time, but it must
have deteriorated steadily ever since; and now, in this year of grace,
owns only one row of keys, of which several notes don't work. There are
several pipes which don't pipe, and an octave of useless pedals, which the
organist does not pretend to work, as he does not know how. However, there
is no use describing a village organ; every one knows what it is. Suffice
to say that I sang my _Ave Maria_ to it, and the Duke and my hosts, miles
below me, said it was very fine, and that the church had never heard the
like before, and never would again. Certainly _not from me!_...
The village itself is a pretty little village and very quaint; it has
belonged to the _schloss,_ as the _schloss_ has to it, for centuries. The
houses are painted white, and the beams of oak are painted black.
On the principal cross-beams are inscriptions from the Bible, cut in the
oak, and the names of the people who built the house. There is one:
"Joseph and Katinka, worthy of the grace of God, on whom He cannot fail to
shower blessings. For they believe in Him." The date of their marriage and
their virtues are carved also (fortunately they don't add the names of all
their descendants). Sometimes the sentences are too long for the beam over
the door, and you have to follow their virtues all down the next beam.
This is perplexing on account of the German verb (which is like dessert at
dinner--the best thing, but at the end), and _gehabt_ or _geworden_ is
sometimes as far down as the foot-scraper. Some houses are like barns: one
roof shelters many families, having their little booths under one
covering, and they sit peacefully at their work in front of their homes
smoking the pipe of peace, and at the same time cure the celebrated hams
which hang from the ceiling. I won't say all hams are cured in this way,
because, I suppose, there are regular establishments which cure
professionally. But I have seen many family hams curing in these barns.
Public-domain text, read in full here on John Shaqi.
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