In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
The next day the gentlemen (twenty in number), all splendidly mounted on
English hunters, rode off at eleven o'clock, masses of grooms and
_piqueurs_, with lots of hunting-horns and the dogs. We ladies
followed in the break. The masters of the hounds were already at the
rendezvous on the hill. They soon started a fox, and then the dogs tore
off yelping and barking, and the riders riding like mad; and we waited in
the carriages, sorry not to be with them. The red coats looked well
against the background; the dogs, all of the same pattern, were rushing
about in groups with their tails in the air; but while our eyes were
following them the fox ran right under our noses, within a hair's-breadth
of our wheels. Of course the dogs lost the scent, and there was a general
standstill until another fox was routed out, and off they flew again.
_Der alte Herr_ is very much thought of in these parts; he was the only
one who dared oppose the House of Peers in Berlin in the question of
war with Austria in 1866, and made such an astounding speech that he was
obliged to retire from politics and take to fox-hunting. He gave the
speech to me to read, and--I--well!--I didn't read it!
The Westphalians seem to go on the let-us-alone principle; they seem to be
anti-everything--from Bismarck and Protestantism downward. I sang the last
evening of our stay here. The piano belonging to this hunting-lodge is as
old as the _alte Herr_, and must have been here for years, and even at
that must be an heirloom. The keys were yellow with age and misuse, and
if it had ever been in tune it had forgotten all about it now and was out
of it altogether. I picked the notes out which were still good, and by
singing Gounod's "Biondina" in a loud voice and playing its dashing
accompaniment with gusto, I managed to keep myself awake. As for the tired
hunters who had been in the saddle all day, they were so worn out that
nothing short of a brass band could rouse them long enough for them to
keep their eyes open.
The next day we bade our hosts good-by and, thanking them for our
delightful visit, we departed. I wonder if the gentlemen liked being
trespassed upon as much as we did who did the trespassing. However, they
were polite enough to say that they had never enjoyed anything so much as
our visit, and especially my singing. What humbugs! I was polite enough
not to say that I had _never_ enjoyed anything so _little_ as singing for
sleepy fox-hunters.
ROME, _January, 1875._
DEAR MOTHER,--I am here in Rome, staying with my friends the Haseltines,
who have a beautiful apartment that they have arranged in the most
sumptuous and artistic manner in the Palazzo Altieri. Mr. Haseltine has
two enormous rooms for his studio and has filled them with his faultless
pictures, which are immensely admired and appreciated. His water-colors
are perfection.
Public-domain text, read in full here on John Shaqi.
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