In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
I have had a lazy month. Mrs. Moulton was delighted to have me back again,
and I was glad to rest after all my junketing. Just think, I was almost a
year in Germany!
Nina has had the measles, fortunately lightly; I was _garde malade_, and
stayed with her in her sick-room.
Howard goes to a day-school not far from the Rue de Courcelles every
morning, and comes home at two o'clock and shows with pride the book the
teacher gives him to show. They must mean it to be shown, otherwise so
much trouble would not be taken to make such lengthy and marvelous
accounts of his prowess, the numbers running up in the thousands, and
notations all through, such as _très bien, verbes sans faute_, and _dictés
parfaits_. He can repeat all the departments of France backward and
forward, and goes through the verbs, regular and irregular, like a
machine. The French love these irregular verbs, so irregular sometimes
that they border on frivolity. He has learned some rather inane patriotic
poetry, which he recites with a childish dramatic swagger.
This is about all they teach in this school; but the _rapports_ are
worth the money: they deceive the parents, making them believe their geese
are swans of the first water.
PARIS, _May._
We have had real pleasure in hearing a young _pianiste_ from Venezuela
called Teresa Careño. She is a _wunderkind_. Her mother says she is nine
years old; she looks twelve, but may be sixteen. No one can ever tell how
old a _wunderkind_ really is. Her playing is marvelous, her technic
perfect. She knows about two hundred pieces by heart, is extremely pretty
and attractive, and performs whenever she is asked. I think she has a
great career before her, and she has already got the toss-back of her
black hair in the most approved pianist manner. "Elle ne manque rien," the
great Saint-Saëns said. One can't imagine that she could play better than
she does; but she thinks that she is by no means perfect.
Though I said that I had led a _dolce-far-niente_ existence, and had been
lazy, I have been dreadfully busy and have been on the go from morning
till night: I might call it a _dolce-far-molto_ existence. I spend hours,
which ought to be better spent, in shops. I simply revel in them.
You have heard of the famous actress Sarah Bernhardt. Well, she is not
only an actress, but she is a sculptress, and is a very good one. She is
now playing at the Vaudeville. But I must begin at the beginning, the
whole thing was so amusing,
You remember Mrs. Bradley? You used to scold me for calling her "the
Omelette." They are living now in Paris; her hair and complexion are just
as yellow as they used to be; but her dresses are yellower. Beaumont said
that she was "Une étude en jaune."
Public-domain text, read in full here on John Shaqi.
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