In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
I must describe our rooms. We have a large salon, two bedrooms, two
servants' rooms, and an antechamber. In the salon there are two long
windows which reach to the floor and overlook the park. The walls are
paneled with pink and mauve brocade. The covering of the furniture and the
curtains are of the same stuff.
My bedroom is furnished in white and green with a delightful _chaise
longue_ and large _fauteuils_, which to me are more inviting than the
stiff Empire style of the salon.
I made my toilette in a maze of excitement; my maid was confused and
agitated, and I thought I should never be ready. I think you will be
interested to hear what I wore to-night. It was light-green tulle,
embroidered in silver, the waist trimmed with silver fringe. If one could
see the waistband, one would read WORTH in big letters. I thought it was
best to make a good impression at the start, so I put on my prettiest
gown.
On leaving our apartment, a little before seven, we found the lackey
waiting to show us the way to the _Grande Salle des Fêtes_, and we
followed his plump white calves through the long corridors, arriving at
last at the salon where the company was to assemble.
Here we found more white calves belonging to the gorgeous liveries and the
powdered heads of the lackeys, who stood there to open the doors for all
comers. We were not the last, but of the latest, to arrive.
The salon seemed immense to me. On one side the windows (or rather the
doors) opened on to the terrace; on the opposite side of the walls,
between the pillars, were mirrors resting on gilded consoles. At one end
of the room was the statue of Laetitia Bonaparte (_Madame Mère_), and at
the other end was one of Napoleon I. Banquettes and tabourets of Gobelins
tapestry stood against the walls. The ceiling is a _chef-d'oeuvre_ of
Girodet--_style Empire_.
The Vicomte de Laferrière and the Duchesse de Bassano, the _grande
maîtresse_, came forward to receive the guests.
[Illustration: SALLE DES FÊTES--CHÂTEAU DE COMPIÈGNE]
My first feeling, when I entered the room, was that I knew no one in this
numerous assemblage. There must have been a hundred people at least; but
gradually the faces of my acquaintances loomed one by one out of the mist,
and among them I recognized the lovely Marquise de Gallifet, who kindly
beckoned me to come and stand by her, for which I felt very grateful.
The chamberlains--there were many of them--bustled about, constantly
referring to some papers which they had in their hands, in order to tell
each gentleman which lady he was to take in to dinner.
The Grand Chamberlain glanced round the room with an all-comprehensive
look, and seemed intuitively to know when we were all present. He then
disappeared into his Majesty's private salon.
Public-domain text, read in full here on John Shaqi.
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