In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
When their Majesties had finished they rose, and everyone followed their
example. All the chairs were drawn from under you, _tant pis_ if you
were in the act of eating a pear and had not yet washed your fingers; but,
no matter, you had to skip across the red carpet in order to let their
Majesties pass.
A rather amusing incident occurred at dinner. One of the foreign
ministers, who is very vain of the smallness of his feet, had donned a
pair of patent-leather shoes evidently much too tight for him. During the
dinner he relieved his sufferings by slipping his aching toes out of them.
All went well until his chair was suddenly drawn from underneath him, as
their Majesties were about to pass. In utter despair he made the most
frantic efforts to recover the wandering shoes from under the table; but,
alas! the naughty things had made their escape far beyond reach (a little
way shoes have of doing when left to themselves); consequently, he was
obliged to trip across the red carpet as best he could without them. The
Empress, who keenly appreciates a comical situation, had noticed with
great amusement his manoeuvers and embarrassment, and (was it just for a
little fun?) stopped in passing and spoke to him, much to his confusion,
for it was impossible to prevent her from seeing his little, white
shoeless feet.
On our returning to the salon the magnificent _Cent Gardes_ stood just as
we had left them, and I wondered if they had unbent for a moment all the
time we had been at dinner.
The _cercle_ began, and their Majesties circulated about among their
guests. When the Empress was in front of me, she gave me her hand and said
some very kind words to me. She noticed I wore the bracelet she had given
me and seemed pleased. I do not know if you ever saw this handsome
bracelet--it is composed of large rubies and diamonds set in three heavy
gold coils. The date when the Empress gave it to me and her name are
inscribed inside. The Prince Imperial spoke to every one he knew. He has a
very sweet voice, such gentle manners and winning ways. He speaks
excellent English and, of course, several other languages.
Waldteufel, _le fabricant de valses_, put himself at the piano (an upright
one, standing at the extreme end of the immense ballroom), and played some
of his charming _entraînante_ music. But though he played as loudly as
possible, it was difficult to distinguish what sort of music it was, the
ballroom being so enormous. However it did not make much difference as
there were only a few who wanted to dance and one could see that they were
urged to do so by the chamberlains. Waldteufel has an apartment in the
town of Compiègne, where he fabricates his waltzes by day and comes here
to play them by night.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account