In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
There were only two pianos, I believe, in the château; the one (upright)
in the ballroom and the Erard in the _salle de musique_.
At eleven o'clock we went into the Emperor's salon, where tea was served.
MONDAY, _November 24, 1866._
DEAR M.,--At breakfast this morning I sat next to Prince Metternich. He
told me that there was to be _conseil de ministres_ to-day, and therefore
there was no question of their Majesties' presence at excursions, and no
particular plans projected for this afternoon.
Thus we were left to our own devices. Prince Metternich's fertile brain
was already at work to imagine something amusing to divert their Majesties
for the evening. He suggested charades. He is excellent at getting them
up.
When we met in the salon he spoke to the different people who he thought
would be helping elements.
The Marquise de Gallifet thought that tableaux would be better; Count de
Vogüé suggested games (he knew several new ones, which he proposed). All
in vain! Prince Metternich insisted on charades; therefore charades
carried the day, of course.
The Prince had already thought of the word "Exposition," and arranged in
his mind what part each one of us was to have. The Vicomte de Laferrière,
whom he was obliged to take into his confidence, told him that he would
show us the room in which there was a stage for amateur performances.
As soon as their Majesties had departed we proceeded to the said room,
where there was a little stage, a very little one, with red-velvet
curtains. Next to this room was a long gallery, in which there was a
quantity of chests containing every variety of costumes, wigs, pastiches,
tinsel ornaments, and all sorts of appurtenances--enough to satisfy the
most dramatic imagination.
Each garment, as it was held up to view, suggested endless possibilities;
but the Prince stuck firmly to his first inspiration, and we were
despatched to our different apartments to think out our rôles and to
imagine how funny we were going to be.
The Empress is always present at the _conseils de ministres_, which
to-day must have lasted an unusually long time, as no one was invited to
her tea. So we took ours with the Metternichs. The Prince had just
returned from town, and was childishly eager to display the various and
extraordinary purchases he had made, which he considered absolutely
necessary for the finishing touches to our toilettes. His requisites
consisted of an oil-can, a feather duster, a watchman's rattle, and wax
enough to have made features for the whole Comédie Française, and paint
and powder for us all. He would not tell us what he had procured for his
_own_ costume, as he said he wanted to surprise us, adding, what he
could not buy he had borrowed.
Count Vogüé gave me his arm for dinner. Of course, we talked of little
else but the charade.
Public-domain text, read in full here on John Shaqi.
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