In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
Both Prince and Princess Metternich had learned it at Petit Val. Madame
Gallifet knew it as "Sir Roger de Coverley" from her English days, and
Prince Murat must have learned it from his American mother.
The Emperor danced with me, as he said he would only dance with an
_expert_!
The Empress had Count Golz for her partner, and stood next to me; Princess
Metternich (full of fun) chose one of the most ancient warriors. Madame de
Persigny and Prince Murat were at the end of the line; the other guests
filled the intermediate places.
Prince Metternich, knowing the music, thought he was absolutely necessary
at the piano, consequently he took Waldteufel's place there.
I, as "the expert," led off. The Emperor tried to imitate me, but became
confused by the constant shouting from his cousin (Prince Murat) at the
other end. However, he and I managed to finish our part; but the Emperor
refused to be swung, and we marched down the middle of the line, hand in
hand, disregarding the rules in a truly royal manner. Then, having watched
the Empress go through her part (she also marched down in a royal manner),
the Emperor seemed bored at looking at the others, and called the Marquis
de Caux to take his place. Next, Prince Metternich began improvising reels
of his own invention, which turned into all sorts of fantastic measures,
which were impossible to dance by. Madame de Persigny, in turning, fell
flat on her back; every one rushed to her rescue, which caused great
confusion, as people lost their places and could not find them again.
This brought our famous reel, which proved to be a dead failure, to an
abrupt close; and the old generals, for whose sake we danced it, never got
a chance to show what they could do; and we were thankful when Waldteufel
returned to the piano and played a waltz, to which we could dance until it
was time for the Emperor's tea, and then,
_Bonsoir!_
_November 27th._
DEAR M.,--Baron Haussmann took me in to _déjeuner_ this morning. The
Baron is the Préfet de Paris. He is very tall, bulky, and has an
authoritative way of walking ahead and dragging his partner after him,
which makes one feel as if one was a small tug being swept on by a man-of-
war! I wondered if the _Cent Gardes_ noticed how I tripped along, taking
two steps to his one, until he reached his seat at the table, into which
he dropped with a sigh of relief.
His body in profile defies any one's looking around the corner, so to
speak. I could only see at intervals Marquise Chasselouplobat's shapely
elbows and hands. Our conversation turned on the new improvements he
intends to make in Paris. He asked me how I liked the boulevard of his
name, just completed.
"I like it," I answered, "though it has deprived us of a good part of our
garden." (It had cut off just half of it.)
"It brings you nearer the Bois," he added. "I hope the Government paid you
well for it."
"I suppose the Government thinks it did; but our croquet-ground is gone
forever."
Public-domain text, read in full here on John Shaqi.
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