In the Days of My Youth: A NovelEdwards, Amelia B.
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In the Days of My Youth: A Novel
Edwards, Amelia B.
Love stories; Medical students -- Fiction; Paris (France) -- Fiction
"Damon, there are a great many disagreeable things in life which wise
people say are good for us, and for which they tell us we ought to be
grateful in proportion to our discomfort. For my own part, however, I am
no optimist. I am not fond of mortifying the flesh, and the eloquence of
Socrates would fail to persuade me that a carbuncle was a cheerful
companion, or the gout an ailment to be ardently desired. Yet, for all
this, I cannot say that I look upon your adventure in the light of a
misfortune. You have lost time, spent money, and endured a considerable
amount of aggravation; but you have, on the other hand, acquired ease
of manner, facility of conversation, and just that necessary polish
which fits a man for society. Come! you have received a valuable lesson
both in morals and manners; so farewell to Madame de Marignan, and let
us write _Pour acquit_ against the score!"
Willing enough to accept this cheerful view, I flourished an imaginary
autograph upon the air with the end of my cane, and laughingly dismissed
the subject.
We then strolled back through the wood, treading the soft moss under our
feet, startling the brown lizards from our path and the squirrels from
the lower branches of the great trees, and, now and then, surprising a
plump little green frog, which went skipping away into the long grass,
like an animated emerald. Coming back to the gardens, we next lingered
for some time upon the terrace, admiring the superb panorama of
undulating woodland and cultivated champaign, which, seen through the
golden haze of afternoon, stretched out in glory to the remotest
horizon. To our right stood the prison-like chateau, flinging back the
sunset from its innumerable casements, and seeming to drink in the warm
glow at every pore of its old, red bricks. To our left, all lighted up
against the sky, rose the lofty tree-tops of the forest which we had
just quitted. Our shadows stretched behind us across the level terrace,
like the shadows of giants. Involuntarily, we dropped our voices. It
would have seemed almost like profanity to speak aloud while the first
influence of that scene was upon us.
Going on presently towards the verge of the terrace, we came upon an
artist who, with his camp-stool under his arm, and his portfolio at his
feet, was, like ourselves, taking a last look at the sunset before going
away. As we approached, he turned and recognised us. It was Herr Franz
Müller, the story-telling student of the _Chicards_ club.
"Good-afternoon, gentlemen," said he, lifting his red cap, and letting
it fall back again a little on one side. "We do not see many such
sunsets in the course of the summer."
"Indeed, no," replied Dalrymple; "and ere long the autumn tints will be
creeping over the landscape, and the whole scene will assume a different
character. Have you been sketching in the forest?"
Public-domain text, read in full here on John Shaqi.
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