In the Days of My Youth: A NovelEdwards, Amelia B.
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In the Days of My Youth: A Novel
Edwards, Amelia B.
Love stories; Medical students -- Fiction; Paris (France) -- Fiction
A little further on, by dint of much elbowing, we made our way into a
crowded booth where, for the modest consideration of two sous per head,
might be seen a Boneless Youth and an Ashantee King. The performances
were half over when we went in. The Boneless Youth had gone through his
feats of agility, and was lying on a mat in a corner of the stage, the
picture of limp incapability. The Ashantee monarch was just about to
make his appearance. Meanwhile, a little man in fleshings and a cocked
hat addressed the audience.
"Messieurs and Mesdames--I have the honor to announce that Caraba
Radokala, King of Ashantee, will next appear before you. This terrific
native sovereign was taken captive by that famous Dutch navigator, the
Mynheer Van Dunk, in his last voyage round the globe. Van Dunk, having
brought his prisoner to Europe in an iron cage, sold him to the English
government in 1840; who sold him again to Milord Barnum, the great
American philanthropist, in 1842; who sold him again to Franconi of the
Cirque Olympique; who finally sold him to me. At the time of his
capture, Caraba Radokala was the most treacherous, barbarous, and
sanguinary monster upon record. He had three hundred and sixty-five
wives--a wife, you observe, for every day in the year. He lived
exclusively upon human flesh, and consumed, when in good health, one
baby per diem. His palace in Ashantee was built entirely of the skulls
and leg-bones of his victims. He is now, however, much less ferocious;
and, though he feeds on live pigeons, rabbits, dogs, mice, and the like,
he has not tasted human flesh since his captivity. He is also heavily
ironed. The distinguished company need therefore entertain no
apprehensions. Pierre--draw the bolt, and let his majesty loose!"
A savage roar was now heard, followed by a rattling of chains. Then the
curtains were suddenly drawn back, and the Ashantee king--crowned with a
feather head-dress, loaded with red and blue war-paint, and chained from
ankle to ankle--bounded on the stage.
Seeing the audience before him, he uttered a terrific howl. The front
rows were visibly agitated. Several young women faintly screamed.
The little man in the cocked hat rushed to the front, protesting that
the ladies had no reason to be alarmed. Caraba Radokala, if not wantonly
provoked, was now quite harmless--a little irritable, perhaps, from
being waked too suddenly--would be as gentle as a lamb, if given
something to eat:--"Pierre, quiet his majesty with a pigeon!"
Pierre, a lank lad in motley, hereupon appeared with a live pigeon,
which immediately escaped from his hands and perched on the top of the
proscenium. Caraba Radokala yelled; the little man in the cocked hat
raved; and Pierre, in default of more pigeons, contritely reappeared
with a lump of raw beef, into which his majesty ravenously dug his royal
teeth. The pigeon, meanwhile, dressed its feathers and looked
complacently down, as if used to the incident.
Public-domain text, read in full here on John Shaqi.
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