In the Days of My Youth: A NovelEdwards, Amelia B.
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In the Days of My Youth: A Novel
Edwards, Amelia B.
Love stories; Medical students -- Fiction; Paris (France) -- Fiction
A week or two had thus gone by since the dreadful evening at the Opéra
Comique, and all this time I had neither seen nor heard more of the fair
Josephine. My acquaintance with Franz Müller and the life of the
Quartier Latin had, on the contrary, progressed rapidly. Just as the
affair of the Opera had dealt a final blow to my romance _à la grisette_
on the one hand, so had the excursion to Courbevoie, the visit to the
École de Natation, and the adventure of the Café Procope, fostered my
intimacy with the artist on the other. We were both young, somewhat
short of money, and brimful of fun. Each, too, had a certain substratum
of earnestness underlying the mere surface-gayety of his character.
Müller was enthusiastic for art; I for poetry; and both for liberty. I
fear, when I look back upon them, that we talked a deal of nonsense
about Brutus, and the Rights of Man, and the noble savage, and all that
sort of thing, in those hot-headed days of our youth. It was a form of
political measles that the young men of that time were quite as liable
to as the young men of our own; and, living as we then were in the heart
of the most revolutionary city in Europe, I do not well see how we could
have escaped the infection. Müller (who took it worse than I did, and
was very rabid indeed when I first knew him) belonged just then not only
to the honorable brotherhood of Les Chicards, but also to a small
debating club that met twice a week in a private room at the back of an
obscure Estaminet in the Rue de la Harpe. The members of this club were
mostly art-students, and some, like himself, Chicards--generous,
turbulent, high-spirited boys, with more enthusiasm than brains, and a
flow of words wholly out of proportion to the bulk of their ideas. As I
came to know him more intimately, I used sometimes to go there with
Müller, after our cheap dinner in the Quartier and our evening stroll
along the Boulevards or the Champs Elysées; and I am bound to admit that
I never, before or since, heard quite so much nonsense of the
declamatory sort as on those memorable occasions. I did not think it
nonsense then, however. I admired it with all my heart; applauded the
nursery eloquence of these sucking Mirabeaus and Camille Desmoulins as
frantically as their own vanity could desire; and was even secretly
chagrined that my own French was not yet fluent enough to enable me to
take part in their discussions.
Public-domain text, read in full here on John Shaqi.
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